Clare & The Reasons

CW: Everybody Wants To Rule The World

Everybody Wants To Rule The World was a chart-topping single off the 1985 Tears For Fears album Songs From The Big Chair.

Cover Wars

According to Roland Orzabal, Everybody Wants To Rule The World was written and recorded in two weeks and was the last cut to make the album. Good thing they got it in there.

The Contestants:

The Bad Plus: The Bad Plus show up a lot on Cover Wars, often leading off (because we use alphabetical order) and easing us in with instrumental renditions. This is the second song to be included in a Cover Wars from their 2007 album Prog (see also Life On Mars Cover Wars) Source: Prog

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/11/badplusworld.mp3]

READ ON for the scoop on the rest of this week’s contestants…

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Review: CMJ The Greatest Music Marathon You’ve (Probably) Never Heard Of

Words: Jonathan “Kos” Kosakow

Each year, the CMJ Music Marathon descends upon New York City for five days in October. For bands, it is a chance to be discovered. For journalists, bloggers, photographers and the recording industry, it is an opportunity to stumble upon the next big thing. And for the fans, it is a chance to discover new music, a chance to witness the origins of a band, and perhaps more importantly, a chance to run around New York City for five days without a plan or a clue as to what they will find.

CMJ 2009

There is no “right” way to get through CMJ. Of the almost 1,100 musical acts who performed over the five days at this year’s marathon, even those fans heavily immersed in the music scene were familiar with only a small percentage. Some choose to see only the bands they already know and are familiar with. Some choose to pick a venue and stick with it for an entire evening. Others choose to pick bands based on their names, and still others just go to an area with the highest concentration of shows (generally the Lower East Side of Manhattan), and bounce around between venues. But no matter what method you choose, you are bound to find something you love, something you hate, or something completely weird.

As I am just one man, I was only able to see a (very, very, very) small percentage of the music played. But of the bands I was able to see, here are my recommendations.

These United States bring a sound similar to a combination of The Black Crowes and The Band, with vocals slightly reminiscent of the Counting Crows’ Adam Duritz. Comparisons aside, this quintet had a sound too big for Piano’s, the small bar that played host that evening. By adding a steel pedal guitar to the classic southern rock, they are allowed much greater diversity of sound and can bring in many more influences. And that may be their only true drawback – the lack of a definitive sound. Give them a little bit more time to find their true sound, though, and I’d put some money on seeing these guys in much larger venues.

READ ON for more of Jonathan’s recommendations…

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Review: Vic Chesnutt @ Somerville Theater

In general, when I arrive at a show and learn that I am walking in on an opening act that I was not aware of – I’m not very pleased. I had a timeline in my head of what I thought set times were going to be and realized that now, all of a sudden, every thing had been pushed back an hour. Sunday night however, it only took about five minutes for me to realize that I was going to be catching a great set of music from Clare & The Reasons, a band I had never heard of – in fact I did not know the name of the group until after their set was over and I swung by the merch table.

Clare & The Reasons touring band are a quartet, fronted by Clare Manchon and all four musicians are multi-instrumentalists. There was fiddle, trombone, clarinet, keyboards, guitars and basses constantly being passed around amongst all the members of the band, and while there was no percussionist…Clare had a foot-tambourine setup that added a little extra punch in the choruses of some songs.

They played the majority of their brand new album Arrow including the first-ever performance of the “Japanese Bonus Track”. As her set came to a close, Manchon announced that “You will all know this song” and launched into a great arrangement of That’s All (which is also on the album Arrow). With the signature piano line being played on a clarinet, the crowd – of unfortunately only dozens of people – let out an audible laugh and Clare quickly explained, “It’s not funny” into the microphone. This band is opening for Vic Chesnutt through November 7th, I highly recommend arriving early to check them out. Manchon’s gentle voice is a perfect fit for their type of music which borders somewhere between Twee Pop and gypsy street musicians. As my friend Indie Dan said, “Even though there wasn’t an accordion onstage, I totally could see them having one.”

Here is their music video for the song All The Wine:

READ ON for more from Dave including a review of Vic Chesnutt’s new band and to see the hilarious infomercial for Clare & The Reasons New Album…

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