funk

Ozomatli : Fire Away

To its credit, Ozomatli offers something for everyone. Each member of the group, after all, represents a different part of the world. Ozo's sound, rich with hip-hop, salsa, funk and jazz, has underscored the band's outspoken crusade for social justice since the mid-'90s. "Gay Vatos in Love" proudly salutes gay marriage over Ulises Bella's wailing '50s-era saxophone, while the psychedelic "Love Comes Down"—Fire Away's finest moment—hits home for lovers everywhere but arrives too late in the album.

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Charlie Hunter – Self Proclaimed Boutique Artist

Charlie Hunter has certainly proved he's his own man during the course of a career that's found him working as parts of solos, duos, quartets, quintets and larger ensembles both as frontman/bandleader and collaborative participant. He is comfortable with himself to the extent his self-description as a 'boutique' artist sounds both pragmatic and proud.

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Garage a Trois: Power Patriot

With Power Patriot, the realigned Garage a Trois attempt to answer the musical question: "Is there life after Charlie Hunter?" The seven-string samurai has been part of this band's lineup since its inception a decade ago and his replacement by Marco Benevento fundamentally alters the sound of the quartet. This music is definitely less dependent on groove though it carries just as much visceral impact (and in your face, not through insinuation).

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Garage a Trois – Heavy Hitting With Skerik

Garage a Trois is a band which at first could be thought of as an all-star band of heavy hitters, but that would be a severe understatement. The band, which started as a trio consisting of saxophonist Skerik, guitar virtuoso Charlie Hunter, and drummer Stanton Moore, later adding vibraphonist Mike Dillon, has grown into a tightly structured, well oiled funk beast. Hunter is no longer part of the group, in that slot is one of the most in demand keyboard players around, Marco Benevento, who permanently joined the group in 2007.

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John Scofield – Piety Street

As John Scofield’s career has evolved, he has turned into almost as much of a musicologist as a musician. The transformation has occurred, however, without slighting the latter most and significant role: “Sco” remains one of contemporary jazz’s most distinctive guitar players.

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Review: JJ Grey & Mofro @ The Variety

Atlanta’s Matt and Kelly Andrews, of Musical Stew Daily fame, eat, drink and breathe live music. Please welcome them to the Hidden Track posse to represent the ATL with reviews and news from the Big Peach.

In Atlanta’s Little 5 Points, the heart and soul of live music is located squarely at The Variety Playhouse. Showcasing an eclectic mix of musical talent nightly, The Variety has hosted an impressive roster of talents through the years. Phish, Widespread Panic, Lee “Scratch” Perry and others have graced the stage of The Variety in the past. On Saturday the 11th, they hosted yet another favorite of mine, Jacksonville, Florida’s JJ Grey & Mofro.

Sweet tea, blackberry cobbler, ox-tail soup, hominy grits, mosquitoes, fried catfish and hush puppies are all synonymous with Jacksonville’s culinary life and culture, the birthplace and home of Mofro. Molasses sweet and thick, Otis Redding inspired “front porch soul.” The music is gritty and tough while remaining sweet and inspired. Music with a cause, to preserve the land and life that JJ Grey so obviously holds sacred. An urgent message delivered with a steady groove and southern manners. The simplicity of yesteryear is sadly fading before his eyes as he implores us to see Florida through those same eyes– likening it to “watching someone you love die slow.”

READ ON for more of Matt and Kelly’s JJ Grey and Mofro review…

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Porter Batiste Stoltz w/ Page McConnell: Higher Ground, South Burlington, VT 9/27/08

Supporting their latest live album MOODOO, George Porter, Russell Batiste, and Brian Stoltz, along with Page McConnell in tow, rolled into Higher Ground to finish their brief but inspiring four night marathon tour. The Vermont stop on this tour was very appropriate as the live album they were supporting was recorded last November at Burlington's Club Metronome where McConnell made an impromptu surprise sit-in worthy of an official release.

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James Brown: I Got the Feeling: James Brown in the 60s

Does anyone question that James Brown was the most intense performer of all-time? If so, they haven't seen these shows. Call him what you want, Mr. Please Please Please, Soul Brother No. 1, Godfather of Soul, but the bottom line is the man performed with an energy, urgency and intensity that puts everyone else to shame.

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