Park City Song Summit Founder Ben Anderson On Creating A Mental Health-Friendly Event For Artists And Audiences (INTERVIEW)
Roger Joseph Manning Jr. Talks Synth Love and Completing The Lickerish Quartet’s ‘Threesome’ Project with Vol. 3 (INTERVIEW)
Drummer Allison Miller & Pianist Carmen Staff Reconstruct Melody & Rhythm On ‘Nearness’ (ALBUM REVIEW)
Allison Russell, Dustbowl Revival, Rayland Baxter, Guster & More Highlight 2022 Green River Festival (FESTIVAL REVIEW/PHOTOS)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
June 24th Release Day -Caustic Commentary: Martin Courtney, Soccer Mommy, Lupe Fiasco, Zola Jesus & More
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
‘Trespassers’ Is An Effective Use Of Slasher Tropes (FILM REVIEW) Christian Long July 12, 2019 No Comments [rating=7.00] Oftentimes, the term B-movie, or its counterpart term, grindhouse, can vary between overly wrought horror or aggressively retrofitted to harken back to the days of worn-out film stock and Read More
The New Mastersounds Announce New LP ‘The Deplar Effect’, Share Video for “Gonna Get in My Way” Read More »
Park City Song Summit Founder Ben Anderson On Creating A Mental Health-Friendly Event For Artists And Audiences (INTERVIEW)
Allison Russell, Dustbowl Revival, Rayland Baxter, Guster & More Highlight 2022 Green River Festival (FESTIVAL REVIEW/PHOTOS)
2020 Hollywood Bowl Jazz Festival Proves Radiant With Femi Kuti, Fantastic Negrito, The Roots, Cory Wong & Bring Your Own Coolers (FESTIVAL REVIEW/PHOTOS)
Drummer Allison Miller & Pianist Carmen Staff Reconstruct Melody & Rhythm On ‘Nearness’ (ALBUM REVIEW)
Kirk Knuffke and Unique Drum-less Trio Shine on Expansive & Exploratory ‘Gravity Without Airs’ (ALBUM REVIEW)
