Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
New Orleans Musician Lynn Drury Finds Dockside Inspiration For Lively New LP ‘High Tide’ (ALBUM PREMIERE/INTERVIEW)
MIKE Launches ‘Somebody Find Me Tour’ At Philadelphia’s Union Transfer With El Cousteau, Niontay, 454 (SHOW REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
The Shallow, Face Value Delights of ‘Pacific Rim: Uprising’ (FILM REVIEW) James Roberts March 23, 2018 No Comments Come for the monsters getting punched in the face by robots; stay for the robots getting punched in the face by monsters. Read More
Kid Congo & The Pink Monkey Birds Kick Out Vivacious Jams On ‘That Delicious Vice’ (ALBUM REVIEW) Read More »
New Riders Of The Purple Sage: ‘Hempsteader – Live At The Calderone Concert Hall, Hempstead, New York, June 25, 1976’ (ALBUM REVIEW)
MIKE Launches ‘Somebody Find Me Tour’ At Philadelphia’s Union Transfer With El Cousteau, Niontay, 454 (SHOW REVIEW)