Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
New Orleans Musician Lynn Drury Finds Dockside Inspiration For Lively New LP ‘High Tide’ (ALBUM PREMIERE/INTERVIEW)
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
‘Licorice Pizza’ Can’t Carry Weight Of Its Parts (FILM REVIEW) James Roberts December 24, 2021 4 Comments Rating C+ The thing about Paul Thomas Anderson is that his talent is so great that even his bad movies are, well, pretty good. His technique and craft are such Read More
Humbird Weaves Righteous Experimental Folk at Manhattan’s Groove In Greenwich Village (SHOW REVIEW) Read More »
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW) Read More »
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
New Riders Of The Purple Sage: ‘Hempsteader – Live At The Calderone Concert Hall, Hempstead, New York, June 25, 1976’ (ALBUM REVIEW)