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Veruca Salt Vocalist Louise Post Talks The Journeys Of “Seether”& Finding Her Creative Spark With ‘Sleepwalker’ (INTERVIEW)
Raul Midón’s ‘Lost & Found’ Tour Stop at Philadelphia’s World Cafe Showcases Finger Picking Brilliancy (SHOW REVIEW)
Bill Janovitz Chronicles the Story of Leon Russell in ‘The Master of Space and Time’s Journey Through Rock & Roll History’ (BOOK REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
John Fred Young Of Black Stone Cherry Serves Up Another Round of Candid Hard Rock Insights (INTERVIEW)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
SONG PREMIERE: Lynne Hanson Balances Smart Break-Up Lyrics with Cool Country-Blues On “Just A Little Bit”
SONG PREMIERE: Hamish Anderson Drops Biting Guitar Acrobatics On “Late In The Evening”Off Upcoming Album ‘ELECTRIC’
SONG PREMIERE: Dana Cooper Unravels Scenic & Stirring Americana Via “The Ghost of Tucumcari” (Featuring Lyle Lovett)
Pullin’ ‘Tubes: Yeasayer’s Sound Jeffrey Greenblatt January 25, 2010 1 Comment Over the last few years, bands like Animal Collective, MGMT and Amazing Baby have been combing the acid-drenched sounds of the 1960’s San Fran ballroom bands, and those of the Read More
Altoist Charles McPherson’s Lyricism and Improvisation Still Burns Bright on ‘Reverence’ (ALBUM REVIEW)
SONG PREMIERE: Lynne Hanson Balances Smart Break-Up Lyrics with Cool Country-Blues On “Just A Little Bit”
Improv Collective Bright Dog Red Returned With Ambitious Two Albums: ‘Bad Magic’ and ‘Hegemontized’ (ALBUM REVIEWS)
