of montreal

Cover Wars: Moonage Daydream Edition

Moonage Daydream was first released as a single in 1971 by Arnold Corns (one of David Bowie’s pseudonyms), and was later released in 1972 on the album The Rise And Fall Of Ziggy Stardust And The Spiders From Mars.

Cover Wars

In The Words and Music of David Bowie, James E. Perone writes,

Bowie’s vocal melody and arrangement in the song’s chorus sections also closely resemble Elton John’s contemporary work (notably “Tiny Dancer”), although “Moonage Daydream” includes enough of a touch of heavy metal-style-electric guitar and percussion in the verses and at the end of each statement of the chorus, so as to provide a bit of distance from John’s music.

The Contestants:

Edie Brickell & The New Bohemians: Making their second appearance in as many weeks, Edie Brickell & The New Bohemians lead us off with a very strong performance. Before last week, I don’t think I had ever listened to her cover a single song other than A Hard Rain’s A-Gonna Fall, but there’s a bunch of other good ones on the Live Music Archive. Source: 2-24-1991

[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2009/06/moonageedie.mp3]

READ ON for the rest of this week’s Cover Wars contestants…

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The Interface Debuts Acoustic of Montreal

of Montreal stopped by Spinner’s The Interface and laid down three brand new live performances – all of which featured front man Kevin Barnes on acoustic guitar. Anytime a song is performed acoustic, or “unplugged” if you will, it seems to take on a bit of new context.

This is especially true with lyrics such as, “He’s the sort of guy who would leave you in a K-hole to go play Halo in the other room.” I think this series of videos reassures that without all the freaky live stage antics, Barnes is a great songwriter and performer at his core.

READ ON after the jump to check out of Montreal @ The Interface…

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Of Montreal: Skeletal Lamping

Hold onto to your headphones as Skeletal is more all-night dance mix than cohesive album – what some might call brilliant and others call unfocused and cracked out.  Listen at your own risk.

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Of Montreal : Chop Suey, Seattle WA 1/31/2006

The best thing about Of Montreal’s super-charged live act, perhaps, is their playfulness. They don’t take the retro-rock thing too seriously, as so many style-conscious bands do these days. Yes, they were wearing fancy rock-star outfits, striking poses and even began “I Was Never Young” with the intro to “The Final Countdown,” but you still got the feeling that any and all posturing was accompanied by a large wink and a very open invitation to play along.

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