Everything you need to know from Night One of Clapton’s Crossroads Guitar Festival
A recap of last night’s Strangefolk show at Brooklyn Bowl.
John Scofield, Nigel Hall and Luther Dickinson joined Soulive at Brooklyn Bowl last night.
Laurel Canyon descended upon Wall Street this afternoon.
For the 22nd year in a row, the Warren Haynes Christmas Jam returned to the guitarist’s hometown of Asheville, NC last night with this year’s event taking place at the Asheville Civic Center. Yesterday’s event saw the debut of the Warren Haynes Band and sets from Missing Cats featuring JoJo Hermann and Sherman Ewing, prog-jammers Umphrey’s McGee, classic rockers the Steve Miller Band, Widespread Panic frontman John Bell, the Gregg Allman Band and a late-night thrown down from the Dirty Dozen Brass Band.
[All photos by Rob Chapman]
Haynes offered tracks from his upcoming soul album backed by Ron Johnson on bass, Ivan Neville on keys and vocals, Ron Holloway on sax, Terrance Higgins on drums and Ruthie Foster on vocals. Bassist George Porter Jr., keyboardist Ian McLagan and drummer Raymond Weber were featured on the album according to the Relix article announcing the band but did not perform with Warren last night. Warren’s set included a cover of Sneakin’ Sally, which you can check out right here…
Warren Haynes Band – Sneakin’ Sally
There were plenty of guest spots throughout the evening including John Bell adding vocals to Umphrey’s version of Ain’t No Sunshine, Andy Farag and the Dirty Dozen Brass Band Horns sitting in at points with the Warren Haynes Band, Haynes returning the favor by joining the Dirty Dozen Brass Band and the Steve Miller Band. Also, South American harpist Carlos Reyes sat in with the Steve Miller Band, Ron Holloway and the DDBB Horns added brass to Gregg Allman’s Just Another Rider, while John Bell joined the horn section for Allman’s take on Guilded Splinters before Steve Miller sat in on Lost Highway.
READ ON for the complete Christmas Jam setlist, a slew of videos from nearly all of the acts and more photos from last night’s show…
Just as quickly as it started, the Greek Theatre run that kicked off the second leg of Phish Summer Tour 2010 in Berkeley, CA has just come to a close.
Words and Images: Tim Hara
Last weekend, Phish made their triumphant return to Cincinnati for the first time in six years. They played the U.S. Arena, a 17,000 person venue located downtown right next to the stadiums where the Reds and the Bengals play. Although the place was packed both nights, fans could find cheap tickets – some even free – in the lot with ease. You could feel the excitement in the air as the crowd funneled through the doors and into the venue to begin what would turn out to be an incredible two-night stand in the Midwest.
Phish kicked off the first night with good, but standard versions of Chalk Dust and Moma Dance. The entire building shook as the audience roared during “the pause” in The Divided Sky. After a solid rendition of Alaska, things were slowed down for Fast Enough for You, which was played for only the second time this year. The high point in the set came for Gotta Jibboo > Fluffhead, two crowd-pleasers that closed out the first half. Overall a solid, fun set, but it was obvious that the band was just getting warmed up.
The real magic came in the second set with the Tweezer > Light > Back on the Train > Possum sequence. The quartet jammed patiently and absolutely nailed the transitions in this segment; especially the segue into Possum. After a blissful, standalone Slave to the Traffic Light, the funk dance party started up with a monster You Enjoy Myself that clocked in at over 20 minutes to close what was a perfectly executed set. Phish then treated the crowd to a three-song encore that started with Joy and Golgi Apparatus and concluded with a Tweezer Reprise that ensured the show ended on a high note.
READ ON for more of Tim’s thoughts and photos on Phish…