The recent surge in singer-songwriters has given pop music a certain level of respect it once had, before losing it to over-sensationalized choreography and flashy outfits for teens. The acoustic rhythms and lyrical sincerity of the genre are free from the over-produced work more elaborate pop-rock stars inevitably succumb to. While still simple in structure, this reflection back to the roots of songwriting has resurrected an industry plagued with turmoil and profit-loss with it’s little touch of integrity. And now, as The Incredible Moses Leroy is beginning to prove, the category no longer must be synonymous with a solo mic and acoustic guitar, but free to embrace all of our creative contemporary outlets.
