setlist

Phish @ Deer Creek – Night Two: Setlist

Phish returned to Deer Creek for the second of two shows at the site of many special evenings in Phish history. Night two was a much more cohesive affair featuring two sets filled with numerous highlights.


The Chalk Dust opener gave the band a chance to find their footing early. Instead of guitarist Trey Anastasio ripping through a solo the jam was more of a conversation with Mike, Page and Fish each adding interesting accents. Guelah Papyrus made its 2010 debut and was nailed unlike many of the songs in the previous night’s opening stanza. My Sweet One, Axilla and I Didn’t Know found their way to the stage for the first time this tour before Walls of the Cave returned after being shelved since Coventry.

Walls of the Cave didn’t get much of a reaction from the crowd on a night when the audience gave the band lots of love. Phish clearly practiced the complex tune and did a good job moving through each of the parts. Stash seemed shorter than usual and didn’t get too far out there. A pretty Train Song followed and perfunctory versions of Backwards Down the Number Kine and Ocelot came next. Lynyrd Skynyrd’s The Ballad of Curtis Loew continues its comeback and might now be a full fledged “once a tour” part of the repertoire. I can’t imagine ever getting sick of hearing Page sing the tune and Trey rip up the solo. Wilson and Possum ended a solid set and both whipped the crowd into a frenzy.

READ ON for more on Phish @ Deer Creek, Night Two…

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God Street Wine Ends Run on High Note

I woke up this morning wondering if what I’d experienced over the last two weeks was real or just a dream like the eighth season of Dallas. Just as quickly as the God Street Wine reunion came, it’s over – for now – as the NYC-based quintet finished the four show run with a scorcher at Irving Plaza this past Saturday evening. These four shows were the rare case of reality living up to the lofty expectations thrust upon this reunion after nine long years of silence from the GSW camp.

[All pictures by Mike Wren]


Friday’s lack of jams was remedied by an improv-filled first set featuring lengthy versions of Driving West, Hellfire and Imogene which showed off the band’s impressive non-verbal communication that comes from playing hundreds of shows together during the ’90s. While last weekend’s minor-key Hellfire jam was on the dark and dirty side, the Irving version went the other direction: a major-key round of improv filled with light and beautiful melodies – a butter jam if you will. Both guitarists got equal time to shine during this most memorable jam of the run. The tight rhythm section of Dan Pifer (bass) and Tom “Tomo” Osander (drums) propelled their band mates to glory in the Hellfire jam like offensive linemen clearing the way for the star running backs.

Irving Plaza, NYC
July 17, 2010

Set One: Nightingale, Driving West, Better than You, Hellfire, The Ballroom -> 6:15, Feather, Straight Line, Imogene

Set Two: Good Dream, Snake Eyes, Princess Henrietta, Strange as it Seems, Tina’s Town -> Cheap Utah Blues -> Deep Drag, Diana, Borderline

Encore1: Ticket to Ride, Sweet Little Angel

Encore2: Other Shore -> Into The Sea

Seven sets into the action God Street Wine were still dusting off old songs they hadn’t played yet. Lots of lines hit home in the reggae-tinged Ballroom including “the dancing on the floor has begun,” “so many years have gone by since I looked into your eyes” and “I feel so old” – all of which received huge applause from the attentive crowd. Two of the first-time in ’10 tunes on this night were Feather and Diana off the quintet’s self-titled 1997 release. Feather, an anthemic rocker, was equal parts Tom Petty and Black Crowes and stood out on a night filled with stand outs. Diana also had that rootsy sound typical of songs on the self-titled LP and shined thanks to gorgeous harmonies, Jon Bevo’s electric piano work and Maxwell’s slide work.

When listening to some of GSW’s later material like Diana and Feather and comparing it to the early material such as the prog workout Deep Drag, it was crazy to hear how much the group’s sound had changed in just about seven years. You can only imagine how many different phases of evolution the band’s music would’ve gone through had the original lineup been able to stick together through the ’00s. Yet, this weekend wasn’t about focusing on what might’ve been and was more about enjoying what was.

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Review: God Street Wine Brought Back

God Street Wine @ Gramercy Theatre, July 9

Nearly nine years after their last public gig, God Street Wine “was brought back” last night at the Gramercy Theatre in New York City and delivered a tight, dynamic performance that showed exactly why the quintet has been missed by fans who started a Facebook group and blog columns pleading for their return.

[All photos by Adam Kaufman]


This was more than a reunion of band, this was a reunion of a highly loyal fanbase. Winos from around the country assembled in the intimate venue exchanging hugs and high-fives well before the NYC-based group took the stage around 9PM to the strains of George Gershwin’s Rhapsody in Blue.

While most of the seven billion people in the world could care less that God Street Wine was getting back together, the seven hundred people in the Gramercy wouldn’t have wanted to be any other place on this night. For many, the show was almost like returning to high school or college for an evening, getting to re-live a part of our childhood and adolescence without the acne and Zima.

“So come on in, we’re starting over. Put down your money, and be like us”

Filled with lyrics about renewal and fitting in with a community, there really was no other choice for the opener but Borderline, as HT’s Jeff Greenblatt presciently pointed out to me via text message a few days ago. Ticket time was 8PM, so the crowd had an hour to build up energy and the place exploded by the first chorus of Borderline. Guitarists Lo Faber and Aaron Maxwell were both in fine voice, which hardly mattered since the crowd was singing along so loudly.

READ ON for more of Scotty’s thoughts and Adam’s photos…

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Phish Summer Tour 2010: The First Leg

The first leg of Phish Summer Tour 2010 came to a close on Sunday night at the Verizon Wireless Amphitheatre in Alpharetta, GA. We’ll have plenty of recaps of all sorts over the next week, but for now we wanted to present “just the facts.” We’ve put together a list of every setlist (via Phish.net) and have detailed our favorite audio sources, videos, reviews and photo galleries from each of the 18 shows Phish has performed thus far in 2010.

06/11/2010 Toyota Park Chicago, IL


Set 1: Down with Disease, Wolfman’s Brother, Possum, Boogie On Reggae Woman, Reba[1], Jesus Just Left Chicago, The Divided Sky, Golgi Apparatus > David Bowie

Set 2: Light -> Maze, Ghost -> Limb By Limb[2] > Prince Caspian > The Horse > Silent in the Morning, Run Like an Antelope[3], Show of Life[4]

Encore: Cavern > Julius

[1] No whistling.
[2] Ending vocal jam.
[3] DEG tease by Trey in intro. Fishman drum solo. “Jon Fishman” substituted for “Marco Esquandolas.” Lyrics changed to “Been you to have any stick.”
[4] Phish debut.

Notes: After Possum, Trey congratulated the hometown Chicago Blackhawks’ victory over his beloved Philadelphia Flyers in the Stanley Cup Finals that ended two days before this show. Reba was performed without the whistling ending. Limb by Limb included an ending vocal jam. Antelope contained a Dave’s Energy Guide tease by Trey in the intro section. Antelope subsequently contained a Fishman drum solo. “Jon Fishman” was substituted for “Marco Esquandolas” and Antelope’s lyrics were further changed with “Been you to have any stick.” This show featured the Phish debut of Show of Life. [Setlist Source]

READ ON for audio, videos & more from each tour stop…

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