KB Boyce on The Nastyfacts Reissue ‘Drive My Car,’ Building Communities in Music and More (INTERVIEW)
Michael Lockwood on Lions & Ghosts, Sparkle Plenty Records, And His First Film Soundtrack (INTERVIEW)
Fantastic Negrito Goes Deep On Reimagined ‘Version Of White Jesus’ Black Problems With ‘Grandfather Courage’ (ALBUM REVIEW)
Marcus Miller, Christian McBride, Julian Lage, Brad Melhldau & More Spark Up Blue Note At Sea 2023 Cruise (REVIEW/PHOTOS)
‘Harvest Time’ Gives Viewers Engrossing Footage Of Artist’s Breakthrough 1972 Recording (FILM REVIEW)
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
Umphrey’s McGee Kick Off umXXV Anniversary Tour at Washington D.C.’s 9:30 Club, Pay Tribute to Jeff Beck (PHOTOS/RECAP)
Portland’s Music Millennium Leads The Pack In Keeping It Weird, Friendly & Freshly Stocked (VINYL LIVES)
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
SONG PREMIERE: Trout Steak Revival’s Travis McNamara Steps Into Americana Territory with “So Far Gone”
SONG PREMIERE: Jake Pinto (Antibalas / Magic City Hippies) Steps Out Solo with Indie Pop Earworm “Best That We Can Be”
Composer, Writer, Percussionist Barrett Martin Goes Lean & Multi-Instrumental on “Stillpoint” (ALBUM REVIEW) Jim Hynes October 1, 2021 No Comments Stillpoint is the multi-talented Barrett Martin’s tenth release and is at first glance quite different than his large ensemble offerings – 2018’s Transcendence, 2019’s Song of the Firebird, and 2020’s Read More
Fantastic Negrito Goes Deep On Reimagined ‘Version Of White Jesus’ Black Problems With ‘Grandfather Courage’ (ALBUM REVIEW) Read More »
CAUSTIC COMMENTARY: Glide’s Weekly Song Pics: The Arcs, Gorillaz, Jonah Yano, Slowthai, AJJ, Deem Spencer & More
