Former Replacements bassist Tommy Stinson’s latest venture is called Cowboys in the Campfire — a duo with good pal Chip Roberts — and its debut album, WRONGER, (due out June
During the Replacements’ approximately five-year and four-album tenure at Minneapolis’ Twin Tone Records, the band gathered a rabid fan following whose passion grew in almost inverse proportion to its size.
Now thirty-five years old, The Replacements’ Pleased To Meet Me is something of a concession to the conventional—almost. Carrying on as a trio in the wake of firing original guitarist
Retirement isn’t easy for anyone, especially when you’re giving up thousands of screaming fans and touring the nation. It seems like every year there is another tour announced that makes
With “I Was There When…,” veteran music journalist Doug Collette reflects on his experiences in the glory days of live rock music. With each column, he takes us back to
Charles Moss gives us five reasons why The Replacements deserve to be inducted.
Listening to The Replacements’ ‘All Shook Down’ 23 years later, I finally get it.
Watch the 2013 SuperJam documentary trailer + word of new live albums from Third Man Records + fresh linkage
Deer Tick @ Pier 54 – August 11
Words: Jeffrey Greenblatt
Photos: Jeremy Gordon
The concert weather gods were smiling down on Deer Tick last Thursday night for quite possibly one of the most gorgeous nights of the summer. The band delivered in what was the scheduled closing night performance for Hudson River Park’s free River Rocks concert series. With temperatures in upper 70s, a cool breeze coming off the water,and an awe inspiring sunset, the Providence-based act played a raucous, freewheeling set, that was punctuated by an exuberant and vocal crowd near the front of the stage, who repeatedly shouted out requests throughout the night.
[All photos by Jeremy Gordon]
The band’s 90-minute set featured fan favorites Baltimore Blues, Little White Lies and Ashamed as well as a healthy dose of new material including what is sure to be a the band’s new signature tune – the punk-inspired Let’s All Go To The Bar. Deer Tick also kicked down a diverse selection of covers, tackling everything from their debut of The Replacements’ Bastards Of Young to Tom Waits’ Innocent When You Dream, which lead singer John McCauley performed solo, as well as longtime Deer Tick staples La Bamba and Maybellene – which got an assist from a member of literary punk-rockers Titus Andronicus, and a fiery show closing take on Townes Van Zandt’s White Freight Liner Blues.
In between McCauley was his usual affable self, sharing stories from the band’s day in New York, that included their decision to douse themselves in aftershave for their schedule press appearances, his fear of getting arrested by the “boat police” if they band played over their allotted time, and the declaration of “Fuck Mumford and Sons” prior to their encore.
READ ON for more from Deer Tick at Pier 54…
You couldn’t have ordered up a more perfect New York City night for Deer Tick’s free show at Pier 54 than last night, as temperatures hovered somewhere in the low
