Titus Andronicus

Tour Dates: What The Brothers Sang

A night of Everly Brothers covers, The Shins’ summer tour, DJ Shadow’s All Bases Covered Tour and more tour announcements from the past week

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Picture Show: Deer Tick @ Pier 54

Deer Tick @ Pier 54 – August 11

Words: Jeffrey Greenblatt
Photos: Jeremy Gordon

The concert weather gods were smiling down on Deer Tick last Thursday night for quite possibly one of the most gorgeous nights of the summer. The band delivered in what was the scheduled closing night performance for Hudson River Park’s free River Rocks concert series. With temperatures in upper 70s, a cool breeze coming off the water,and an awe inspiring sunset, the Providence-based act played a raucous, freewheeling set, that was punctuated by an exuberant and vocal crowd near the front of the stage, who repeatedly shouted out requests throughout the night.

[All photos by Jeremy Gordon]

The band’s 90-minute set featured fan favorites Baltimore Blues, Little White Lies and Ashamed as well as a healthy dose of new material including what is sure to be a the band’s new signature tune – the punk-inspired Let’s All Go To The Bar. Deer Tick also kicked down a diverse selection of covers, tackling everything from their debut of The Replacements’ Bastards Of Young to Tom Waits’ Innocent When You Dream, which lead singer John McCauley performed solo, as well as longtime Deer Tick staples La Bamba and Maybellene – which got an assist from a member of literary punk-rockers Titus Andronicus, and a fiery show closing take on Townes Van Zandt’s White Freight Liner Blues.

In between McCauley was his usual affable self, sharing stories from the band’s day in New York, that included their decision to douse themselves in aftershave for their schedule press appearances, his fear of getting arrested by the “boat police” if they band played over their allotted time, and the declaration of “Fuck Mumford and Sons” prior to their encore.

READ ON for more from Deer Tick at Pier 54…

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Bloggy Goodness: SPIN’s Nevermind Tribute

As we mentioned yesterday the latest issue of Spin magazine is dedicated to to the 20th anniversary Nirvana’s seminal album Nevermind, with the cover story dedicated to answering the question

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Coachella 2011: The Lineup

The lineup for this year’s Coachella dropped early this morning and it’s no joke. Goldenvoice put together a well-rounded bill that starts with headliners Arcade Fire, Kings of Leon, The Strokes and Kanye West and includes HT faves The Felice Brothers, Tame Impala and Trampled By Turtles.

Here’s a look at the lineup in poster form…

Coachella 2011 takes place at Empire Polo Club in Indio, CA on April 15 – 17. Tickets go on sale this Friday at 10 AM PST.

READ ON for an A to Z (or ! to Z) rundown of the bill…

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Tour Dates: Jenny & Johnny

Over the last few years Rilo Kiley has taken a backseat to front woman Jenny Lewis’ solo career. The ever adorable Lewis, who has put out two records on her

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Bloggy Goodness: Record, Record Store Day

Just a couple of weekends back, scores of independent music stores around the country participated in the third annual Record Store Day. Now that the dust has settled and receipts

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Review: Titus Andronicus @ the Bowery

Words: Daniel Schneier

Titus Andronicus played one of their most high profile gigs to date recently, celebrating the release of their sophomore album The Monitor at the Bowery Ballroom on March 6th. The sold-out show, an ages 16-and-over affair with three warm up bands (The Babies, Cloud Nothings, Parts & Labor), had the feel of hardcore matinee, with swarms of angsty punk-lusting teenagers idling in packs around the venue. Alas, it seemed many of the teenage fans, some accompanied by their supportive parents, car keys in hand, had been shuffled out the door and shuttled back to the suburbs by the time the headliners took the stage just after midnight. By the time Titus Andronicus went on, the crowd had grown decidedly older, the room darker and hotter, as the house lights went down and fans filed into the venue.

At the core, Titus Andronicus is the brainchild of frontman Patrick Stickles, a slight, stern-faced New Jersey native with a taste for English literature, a proclivity for long onstage rants and a massive black beard that summons the image of a guitar-strapped suburban sorcerer. On opener A Pot in Which to Piss, Stickles rips through feedback-heavy guitar solos while keyboard player Dave Robbins cuts through a sheen of reverb and distortion, delivering a bluesy barroom style piano solo as a mosh pit takes shape in front of the stage. READ ON for more of Dan’s review of Titus Andronicus…

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