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Bloggy Goodness: Tumble Bee

On November 8, singer-songwriter Laura Veirs will release her first album of children’s music called Tumble Bee: Laura Veirs Sings Folk Songs For Children. Inspired by the birth of their

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Bloggy Goodness: The Jayhawks Return

Back in 2005, the members of influential alt.country act The Jayhawks decided to go on an extended hiatus after touring behind their seventh studio album, Rainy Day Music. In the

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HeadCount Takes To The Phones

In an age of Facebook, Twitter and any number of social media outlets capable of documenting the minutia of your day to day life, sometimes something as simple as the lost art of the phone call serves as the best way to connect with someone on a personal level. For their latest social activism campaign, HeadCount is doing just that by taking a back to basics approach in order to remind people to head to the polls to exercise the Constitutional right to vote in next Tuesday’s mid-term elections.


The non-partisan organization, that was founded in 2004 by Andy Bernstein and Disco Biscuits bassist Marc Brownstein, and has helped register over 175,000 people, has enlisted a impressive roster of musicians from the indie to jam world, that includes Jim James (MMJ), Willie Nelson, ?uestlove, Matt Berninger (The National), Jon Fishman (Phish) and Warren Haynes (ABB, Gov’t Mule) to not only pre-record reminder messages, but also make live personal calls to a select number of the approximately 25,000 people who have made a “Pledge to Vote” via HeadCount.

In a media conference call yesterday to talk about the inventive initiative, HeadCount board member Bob Weir (Grateful Dead/Furthur) stressed the importance of a “Vote For You” mentality, saying that young people need to take the future into consideration and participate instead of letting a bunch of “crusty old folks” made the decisions that have direct impact on their lives and those of future generations. Weir, who joked that his call list was so large he better get to work on it immediately, said that would seize the opportunity to talk to people to help figure out where the organization’s efforts will be centered in the future.

READ ON for more from HeadCount’s conference call…

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Recap: Newport Folk Festival

With a seemingly rotating door on music festivals over the last handful of years it’s assuring to know that you can continually count on the Newport Folk Festival to be there year in and year out, offering up a high quality and diverse lineup in one of the most serene settings imaginable. Returning once again to the historic Fort Adams State Park, the fest delivered an amazing swath of artists from folk to funk and everything in between.


Much like how there are those musicians that are referred to as a “singer-songwriter’s singer-songwriter,” well now after having attended Newport Folk the label of a “music fan’s music fest” might be the best way to describe it. With three stages and 30-plus acts to choose from, it seemed relatively easy to plant yourself in front of one stage for the day – like many did – and take in all the action. For the ambitious music lovers though, the close proximity of the Fort, Harbor and Quad stages made it a breeze to catch an impressive amount of music over the two-day span.

Saturday kicked off with one of the fest’s biggest success stories – The Low Anthem – who just three years prior were picking up trash as on-site volunteers and now found themselves with a main stage slot. The Providence-based band showcased their gorgeous folk music, which features an odd menagerie of instruments – crotales, harmonium and clarinet – along with the obvious guitar, bass and drums. Taking in just a handful of songs, which was highlighted by a sublime take on Apothecary, and their interpretation of Rev. Gary Davis’ Sally Where’d You Get The Liquor From?, I had to pulled myself away from really the one lone conflict of the weekend to see a full set from A.A. Bondy.

READ ON for more of Jeff’s recap of Newport Folk…

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