Review: TLG & DSO on Governor’s Island

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The Tea Leaf Green boys kicked off their set with Incandescent Devil and Lil Hood before focusing on material from their new album, Raise Up The Tent, which hits stores next Tuesday. All of the new songs seem more concise and structured than the previous batch of songs, but they all had that breezy early ’70s San Francisco sound the Dead made famous.

This was my first time catching TLG with Reed Mathis and I left extremely impressed with both Reed’s skills and the chemistry he’s already worked up with the band. Reed’s a real triple threat at bass thanks to the speed, ability to groove and power he displayed throughout the 50-minute set. He really got a chance to shine on the next-to-last song of Tea Leaf’s set, Franz Hanzerbeak. Mathis’ quick fills and funky delivery pushed guitarist Josh Clark and keyboard player Trevor Garrod’s interplay to new heights during the deliciously funky jam segment.

After TLG left the stage I had a chance to walk around the venue before the Dark Star Orchestra came on. The field the concert was held on reminded me of a college quad by the way it was surrounded by institutional looking buildings. There was plenty of room for everyone to dance and groove at their leisure, and while the food was absolutely terrible, at least there were a few options for those looking to eat. On the other hand, you gotta love a venue serving plenty of cold Budweiser and Magic Hat #9.

Just as the sun began to set behind the audience the Dark Star Orchestra emerged from backstage. At my first DSO concert I saw the band work its magic on a show from 1992, so I was really hoping to catch a show from the late ’70s. When Lisa Mackey as Donna Jean Godchaux MacKay emerged with the bulkiest pair of headphones I’ve ever seen, I knew I’d gotten my wish. On this night The Dark Star Orchestra performed music from May 1, 1977, a show that took place at the since-closed Palladium about three miles from Governor’s Island.

The thing I love about the DSO is that the members of the band don’t try to mimic the stage presence of the Dead onstage. While Rob Eaton certainly shows charisma, he isn’t running around in jorts pretending to act like Bob Weir. Eaton’s got Bobby’s rhythm playing down pat, but he’s not a caricature. That’s probably why the band gets so much respect from people that typically thumb their noses at cover bands.

From the moment DSO opened with Might As Well it was tough to find anyone on Governor’s Island who wasn’t having a good time. The band hit all of their spots with Kevin Rosen as Phil Lesh dutifully dropping bombs left and right. “Man of the People” Rob Barracco participated in a number of tasty duels with John Kadlecik as Jerry Garcia that kept things interesting.

These guys can certainly jam, but I really enjoyed the song-oriented nature of the setlist they played. There were various points during Brown Eyed Women, Ramble On Rose and Cassidy where I just closed my eyes and took it all in. It’s truly unbelievable how well the members of DSO play their parts. The only part of the show I didn’t really dig was Sunrise, a tune I personally despise. But it was quick and painless just like the three-minute-long Drums segment.

Due to the 11PM curfew it seemed that many of the jams were short and sweet except for the second set opener, Dancin’ In The Streets The DSO took their time expertly working through all of the composed sections of the tune before Kadlecik unloaded a can of whup-ass that brought the house down. There really isn’t a weak link in this band that covers a completely different version of the Dead from night to night.

TLG and DSO on Governor’s Island wasn’t the most mind-blowing musical experience of all-time, but it was an incredibly fun way to spend the evening. And isn’t that what it’s all about sometimes?

The Dark Star Orchestra is currently tour in the Midwest including stops in Cincinnati on Friday and Peoria on Saturday. DSO kicks off the 10,000 Lakes Festival next Wednesday night at Soo Pass Ranch in Detroit Lakes, MN. Meanwhile, Tea Leaf Green has a cross-country weekend that starts at Camp Bisco on Friday and ends in Denver at the Mile High Festival on Sunday.

Tea Leaf Green
July 16, 2008
Governor’s Island
Set: Incandescent Devil, Lil Hood, Let Us Go, Borrowed Time, Cops Took My Weed, Red Ribbons > Slept Thru Sunday, Stick to the Shallows, Franz Hanzerbeak, Taught To Be Proud

Dark Star Orchestra
July 16, 2008
Governor’s Island

Set 1: Might as Well, El Paso, Ramble on Rose, Cassidy, They Love Each Other, Lazy Lightning> Supplication, Must Have Been the Roses, Estimated Prophet, Tennessee Jed, Sunrise, Samson & Delilah
Set 2: Dancin in the Streets> Browneyed Women, Playin in the Band> Drums> The Other One> Comes a Time> Playin (reprise)
Encore: Brokedown Palace
“Filler:” Music Never Stopped

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10 thoughts on “Review: TLG & DSO on Governor’s Island

  1. Rupert Reply

    Haha, the burrito I bought was truly terrible, but everything else was joyous.

  2. Partyin' Peeps Reply

    “Mathis’ quick fills and funky delivery pushed guitarist Josh Clark and keyboard player Trevor Garrod’s interplay to new heights during the deliciously funky jam segment.”

    Completely true.

  3. Papa Phunk Reply

    Sweet Review Scotty ! keep em coming.

    triple threat indeed !

  4. Vickers Reply

    Great review and great to see another show with you Scotty!

    i just wish they jammed out space a little more….

  5. coach Reply

    i didn’t think the food was terrible.

  6. dayjob1978 Reply

    Cool! Sounds like fun. I was getting down to the free Steel Pulse concert at Rockefeller Park instead. FYI, if you go to any of the River to River events, guard your “open container” very carefully, as there are undercover state police roaming the grounds with frequency.

  7. Pingback: Hidden Track » Review: Dark Star Orchestra @ Nokia |

  8. Pingback: Hidden Track » Picture Show: Tea Leaf Green In Brooklyn |

  9. Pingback: Hidden Track » Intermezzo: Back to Governor’s Island |

  10. Pingback: Tea Leaf Green/Dark Star Orchestra: Governor's Island, New York 7/11/08 - Glide Magazine |

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