The New Mastersounds Announce New LP ‘The Deplar Effect’, Share Video for “Gonna Get in My Way”
WATCH: Sons of Kemet Drop Stunning Instrumental Performance On ‘From The Basement’
LISTEN: GRITS. Displays Dynamic Soul & Grit On “I Won”
AJJ Kick Off Summer Tour at Crescent Ballroom in Phoenix
Park City Song Summit Founder Ben Anderson On Creating A Mental Health-Friendly Event For Artists And Audiences (INTERVIEW)
The Bacon Brothers Return With New EP ‘Erato’: A Shrewd Talk With Michael & Kevin Bacon (INTERVIEW)
Roger Joseph Manning Jr. Talks Synth Love and Completing The Lickerish Quartet’s ‘Threesome’ Project with Vol. 3 (INTERVIEW)
New Jersey Rockers Bobby Mahoney and The Seventh Son Explore How ‘We Go On’ (INTERVIEW)
Drummer Allison Miller & Pianist Carmen Staff Reconstruct Melody & Rhythm On ‘Nearness’ (ALBUM REVIEW)
Allison Russell, Dustbowl Revival, Rayland Baxter, Guster & More Highlight 2022 Green River Festival (FESTIVAL REVIEW/PHOTOS)
‘Licorice Pizza’ Can’t Carry Weight Of Its Parts (FILM REVIEW)
1982’s ‘Around The World’ Covers The Police On Their First World Tour (DVD REVIEW)
Jim Ruland Chronicles the Rise & Fall of SST Records on ‘Corporate Rock Sucks’ (ALBUM REVIEW)
‘Loki’ Gives Us Loki vs. Loki in Episode 3 (TV REVIEW)
All the Movie Trailers from Super Bowl LIV
2021 Holiday Movie Preview: ‘Ghostbusters: Afterlife,’ ‘The Power of The Dog,’ ‘House of Gucci’ & More
30 Years Ago Today – Miles Davis Releases ‘Doo-Bop’- His Final Studio Album
SONG PREMIERE: Will Stewart Offers Tongue in Cheek Lament with Playful Folk Tune “Nothing’s Right”
Widespread Panic Brings Another Historic Three Night Sold Out Run To Red Rocks
June 24th Release Day -Caustic Commentary: Martin Courtney, Soccer Mommy, Lupe Fiasco, Zola Jesus & More
Mack Mullins Of The CEO Makes Rock Dreams A Loud Reality (INTERVIEW)
VINYL LIVES: Inner Groove Records of Collingswood, NJ Stacks 90% Vintage
Suds & Sounds: Beale Street Brewing Co. Celebrates Memphis Music Through Craft Beer
Time Out Take Five: Douglas Cuomo Feat Nels Cline, Yaniv Taubenhouse, Falkner Evans & More
Emerging Artist J.S. Ondara Makes Voyage From Kenya to Minnesota & Astounds With ‘Tales of America’ (INTERVIEW)
The Beach Boys – ‘Feel Flows: The Sunflower & Surf’s Up Sessions 1969-1971’ (ALBUM REVIEW)
Movie Review: Louis C.K.’s ‘Tommorow Night’
ALBUM PREMIERE: Matt DeMello Takes Genre-Crossing Approach on ‘Confetti in a Coalmine’
SONG PREMIERE: Cowboy Curtys Drops Gritty & Explosive Love Letter To Athens On “Nantahala”
SONG PREMIERE: Blue Cactus Take on Beck’s “The Golden Age” with Enchanting Folk Harmonies
Set 1: Heavy Things, Possum, Wilson, Kill Devil Falls, Glide, 46 Days, Bouncing Around the Room > Reba, Dinner and a Movie, Guyute, Maze, First Tube
Set 2: Scents and Subtle Sounds > Rock and Roll -> Seven Below > Twist > Mike’s Song > I Am Hydrogen > Weekapaug Groove, The Horse > Silent in the Morning, You Enjoy Myself
Encore: Shine a Light
 No whistling.
Reba did not have the whistling ending.
YEMblog is boring. anybody else want to give it a shot?
Dammit, Shine a Light, sorry I missed it but so glad it’s gonna be around. NYE baby!
Oh man! What a night! My favorite show attended all year. The Phish! From Vermont!
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2020 Hollywood Bowl Jazz Festival Proves Radiant With Femi Kuti, Fantastic Negrito, The Roots, Cory Wong & Bring Your Own Coolers (FESTIVAL REVIEW/PHOTOS)
Kirk Knuffke and Unique Drum-less Trio Shine on Expansive & Exploratory ‘Gravity Without Airs’ (ALBUM REVIEW)