With LoveJoys (due 7/7/17), the sophomore release from Seattle, WA’s Pickwick, the five-piece shows new and rare form as a versatile outfit twisting their sound knobs into realms of sonic possibilities. As the band has progressed to a full-bodied rock n’ soul band with animated guitars and fertile voices, LoveJoys keeps the formula brewing with the out-there pop and electronic nuances employed by the likes of Two Door Cinema Club & Phoenix. Foremost, LoveJoys sees Pickwick maintaining its foundation of unadulterated melodic precision, while always employing a sweet & memorable hook.
Glide is thrilled to premiere the LoveJoys in its entirety (below), just before the official release date this Friday.
Following the breakout success of 2013’s self-released Can’t Talk Medicine (which WXPN lauded for its “wonderfully engaging lo-fi rock and soul”) the band found themselves on national tours with Neko Case and Black Joe Lewis, performing on the main stage of the Sasquatch Music Festival, headlining the Capitol Hill Block Party, and performing alongside with the Seattle Symphony. They holed up to begin work on what was to be the follow-up release, and things got complicated.
As the band was forty songs into writing a pop R&B record, they became deeply unsatisfied with the direction the music was taking. Tensions boiled over, and they lost a member in 2016. Walking away from a mountain of music, the group was able to tap into the joy of writing for themselves. “We rediscovered what we do best by not overthinking what we make, and learned to love the process of creating again” relates vocalist Galen Disston. “LoveJoys is a specific type of euphoria,” says drummer Alex Westcoat “a liberating feeling of inspiration that can only be achieved through the sacrifice of one’s own ambition. It is the shedding of expectations; an uninhibited escape into a world of child-like infatuation and wonder.”
After an intense three-month writing session the band – Disston, Westcoat, guitarist Michael Parker, bassist Garrett Parker, and keyboardist Cassady Lillstrom – turned to producer Erik Blood (Shabazz Palaces, Tacocat and Moondoggies) for guidance in putting the music to tape. “We are huge fans of his, and a mutual friend made the introduction” says Disston. “Erik requested we go out to drinks together every couple weeks for a four month period; he wanted to get to know us before we got too deep into working together. The first time he came to a practice I kept my back to him the whole time because I was intimidated, and after we’d played him all our demos, he picked them apart and pushed us into a new and better sound.”
LoveJoys was recorded at “Chemical X” and “Black Space” (February – May 2016), Blood’s studios in the basement of the old Rainier Brewery building in Seattle. It features performances from: Tendai Maraire (Shabazz Palaces), Sean T. Lane, Marquetta Miller (Breaks and Swells), Taryn Rene Dorsey, and the Black Space’s in-house horns and strings – Alina To (Passenger String Quartet) and Jeremy Shaskus (Breaks and Swells).
