Powerhouse art-punk, cello-rock duo, Lung, have a sound that is dark and commanding, evoking the driving sludge of early grunge with layered sinister undertones. The band is Kate Wakefield, a classically trained opera singer and cellist, and drummer Daisy Caplan, formerly of Foxy Shazam, Babe Rage, and Ayin. Lung is poised to release their third full-length album, Come Clean Right Now, on August 20th via Sofaburn Records (PRE-ORDER).
Come Clean Right Now was written in March and April of 2020 during the early parts of the pandemic. While a continuation of their previous work, the album is an evolution both in terms of process and final product. After being forced to cancel over 100 dates in early 2020, Lung discovered a rudimentary way to collaborate via email and began working on new music. “Daisy and I usually work on new music in the same room, but this record was written back and forth online,” Wakefield explains. “I would send Daisy a file, then he would send back something else for me to work off of. This was very different from our previous way of writing, but ended up providing us both with an outlet for everything that was going on. It was totally new since we used to write primarily on the road or between tours. This was the first time we were both planted in one spot, forced to deal with our own thoughts musically and lyrically.” Whereas on other records, Lung drew from a longer period of songwriting, Come Clean Right Now was almost exclusively written in isolation in under two months and rehearsed/recorded (as socially distanced as possible) in a few weeks.
“The record is indirectly or perhaps directly influenced by books I was reading,” says Wakefield on the meaning behind the music. “I read poetry daily over the past year. I love the poets Joy Harjo and Ellen Bass. I’m also into buddhist and consciousness literature, and was able to really dive into a lot of beautiful books that helped to keep me sane. There was an interesting divide between what I was reading and how I was feeling. It all just comes back to trying to practice what you preach, failing, and trying again, and the record reflects that. There is a lot of brutal honesty in this album: anger, sadness, the highs and insecurities of new love, and the realization that although we think we can control our lives, ultimately that is an illusion.” The members of Lung felt so strongly about this new direction that they temporarily shelved an already-recorded third album to release Come Clean Right Now. Other efforts have been sprawling and grandiose; this album is crackling and succinct, alive with the uncertainty of the dull chaos of the times.
Today Glide is excited to offer an exclusive premiere of the new album. Featuring plenty of crushing riffage and a melange of tweaked out instrumental effects, the album encapsulates the duo’s musical prowess as well as their harmonic abilities. Blending prog rock, grunge, punk, metal and even references to classical music, the album is a fast-paced roller coaster ride of explosively infectious music. For a duo that can easily be described as experimental in their approach not to mention their instrumental dynamic, the songs on the album are surprisingly melodic. It’s easy to hear inspiration from guitar-drum rock and roll duos, but Lung clearly takes their own path with the addition of a cello used for maximum rocking and only amplified by a gloriously relentless drum assault. Thematically, the duo ties in sadness and joy almost equally, making for a truly compelling listen.
Vocalist and cellist Kate Wakefield describes the inspiration and process behind the album:
“Releasing this record means a lot to us. In a way it feels like we are releasing all of the emotions, and processing done over the past year. When everything shut down, having Lung as a creative outlet was one of the things that got me through. The album deals with highs and lows and everything in between that I think a lot of us felt. Sometimes when you tour a bunch it feels like you are in a constant state of writing and traveling and you never stop. The pandemic was a forced stop. It made me reflect on how I was living my life, and what I’m living for. The polarization of everything and the collective sadness that everyone felt was so unbelievably intense and tangible, and the little pieces of joy that came through were all the more important and meaningful. “
“Writing Come Clean Right Now challenged the way we wrote music, and made it so that we found new ways to do things. We wrote this record mainly in March and April of 2020, across computer screens, totally isolated. It was a way to bring music into our lives at a time when we needed it most.”
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