Fruit Bats Announce 20th anniversary 2-LP Compilation, Shares Track “Rips Me Up”

Photo by Annie Beedy

On January 28, Merge will release  Sometimes a Cloud Is Just a Cloud: Slow Growers, Sleeper Hits and Lost Songs (2001–2021), a two-disc collection that tracks the history of Fruit Bats from its earliest days to right now. Listen to the soulful and strutting “Rips Me Up,” a brand-new song that opens the album, and pre-order Sometimes a Cloud Is Just a Cloud on deluxe pink and violet swirl double vinyl today.

Here’s Fruit Bats ringleader Eric D. Johnson on “Rips Me Up”:

Every once and a while, you’ll record a song for an album and that song feels really great but also vibes like an emotional and/or sonic outlier from the others. Here’s one of those from The Pet Parade sessions. Hopefully this gets put somewhere in the pantheon of “trying to be a better man” songs. I’m not sure why I wrote it. I must have been feeling uneasy that day. Oh, also: yeah, I know it’s always weird when an artist puts a new song on a “greatest hits” album. But since I’ve never really truly had a “hit,” I figured I could break that rule here and put it on this new compilation and retrospective. Joe Russo and Nathan Vanderpool and Josh Mease and Josh Kaufman are on here. They are all wonderful. Enjoy this little ripper.

Thoughtfully compiled by Johnson himself, this 2-LP collection is split in two distinct halves. Set in reverse chronological order, the first disc cherry-picks from Fruit Bats’ official releases, including fan favorites—“Humbug Mountain Song” from 2016’s Absolute Loser and “The Bottom of It” from his 2019 Merge debut Gold Past Life—alongside some of Johnson’s more personal choices like “Glass in Your Feet” from his 2001 debut Echolocation. “I was 25 when I made that record,” Johnson remembers. “I was even younger than that when I wrote that song. I think I hadn’t yet learned to write from the heart. I was trying to create a sound. It wasn’t even so much about the song at that point.”

If the first disc of this set is “the collection that you buy for your friend that’s Fruit Bats–curious,” according to Johnson, the second disc is for longtime fans that want a deeper dive into Fruit Bats lore. To put this half of Sometimes a Cloud Is Just a Cloud together, Johnson dug into several hard drives’ worth of material. “Much of it is horribly unlistenable,” he says with a laugh. “I wouldn’t necessarily say there was a treasure trove. At least to my ears because I might be my own worst critic.”

Considering the wonders that Johnson did uncover for this set, there may be a call for a further mining of the archives. Included here are lovely early versions of “Rainbow Sign” and “The Old Black Hole,” recorded to a Tascam 4-track just as Fruit Bats was becoming a reality. There’s also a rambling take on the Steve Miller Band’s classic rock mainstay “The Joker,” and some wonderful never-before-heard original tunes.

For Johnson, two of the most exciting tracks are “WACS” and “When the Stars Are Out,” both recorded during the sessions for 2011’s The Tripper. The former is a standout for an appearance by Dinosaur Jr.’s J Mascis who applies a perfect psych-soul solo to the mix. The latter features another special guest, the late, great Richard Swift on piano. “I didn’t even know Richard was on that song until I was approving the masters,” Johnson says. “This was before his production career had really taken off. You could just bring him in for a session and he would just vibe out.”

Even if Johnson had some internal debates about ruminating heavily on his past work in this way, what putting together Sometimes a Cloud Is Just a Cloud did is reassure him that trusting his musical instincts has served him well for these past two decades and will continue to do so well into the future. “I love how the best-laid plans are never what you think they’re going to be. I love the unpredictability of it. Recording and writing songs is often like, ‘Wow, that is not where I was expecting that to go.’ My whole career has been like that. This was not where I expected to go. But I mean that in a really good way.”

Fruit Bats on tour:
Mar 02-05 Cancún, MX – My Morning Jacket’s One Big Holiday
Mar 09 Santa Barbara, CA – SOhO Music Club
Mar 10 Los Angeles, CA – The Lodge Room
Mar 11 San Francisco, CA – The Chapel*
Mar 12 San Francisco, CA – The Chapel*
Mar 13 Sacramento, CA – Harlow’s
Mar 17 Portland, OR – Crystal Ballroom
Mar 18 Vancouver, BC – Hollywood Theatre
Mar 19 Seattle, WA – The Showbox
Apr 07 Dallas, TX – The Kessler Theater
Apr 08 Austin, TX – 3TEN at ACL Live*
Apr 09 Austin, TX – 3TEN at ACL Live*
Apr 10 Houston, TX – The Heights Theater
Apr 12 New Orleans, LA – Tipitina’s
Apr 13 Birmingham, AL – Saturn
Apr 14 Nashville, TN – Basement East
Apr 15 Atlanta, GA – Variety Playhouse
Apr 16 Durham, NC – Motorco Music Hall
Apr 17 Richmond, VA – Richmond Music Hall
Apr 19 Philadelphia, PA – Union Transfer
Apr 20 Brooklyn, NY – Music Hall of Williamsburg
Apr 21 Cambridge, MA – The Sinclair
Apr 22 Woodstock, NY – Levon Helm Studios [SOLD OUT]
Apr 23 Washington, DC – 9:30 Club
Apr 26 Toronto, ON – Great Hall
Apr 27 Detroit, MI – El Club
Apr 28 Indianapolis, IN – HI-FI
Apr 29 Chicago, IL – Thalia Hall
May 06 Denver, CO – Bluebird Theater*
May 07 Denver, CO – Bluebird Theater*
* Different set lists, no repeat songs

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