Steely Dan’s 1977 multi-platinum jazz-rock masterwork, Aja, has been remastered from analog and will be reissued on vinyl for the first time in more than four decades on September 29th via Geffen/UMe. Aja marks the latest release in Geffen/UMe’s extensive reissue program of Steely Dan’s classic ABC and MCA Records catalog, which returns the band’s first seven records to vinyl – most of which haven’t been available since their original release. Overseen by founding member Donald Fagen, the series launched in November 2022 with the group’s legendary 1972 debut, Can’t Buy A Thrill, followed by 1973’s Countdown To Ecstasy in May 2023. The band’s beloved third album, 1974’s Pretzel Logic, was just released last month.
Aja has been meticulously remastered by Bernie Grundman from an analog, non-EQ’d, tape copy and will be pressed on 180-gram black vinyl at 33 1/3 RPM. Additionally, Aja, like all the titles, is being released as a limited edition premium 45 RPM version on Ultra High-Quality Vinyl (UHQR) from Analogue Productions, the audiophile in-house reissue label of Acoustic Sounds. Analogue Productions is also releasing this series of titles on Super Audio CD (SACD). Visit here for more details and to order.
Pre-order Aja: https://steelydan.lnk.to/AjaVinylPR
Additional titles rolling out over the next year include 1975’s swing-pop perfection Katy Lied (featuring “Black Friday,” “Bad Sneakers” and “Doctor Wu,” as well as the addition of Michael McDonald on vocals); 1976’s guitar-driven The Royal Scam (“Kid Charlemagne,” “The Fez”); and Steely Dan’s final album for MCA, and last for 20 years, 1980’s brilliant Gaucho (featuring “Hey Nineteen” and “Time Out Of Mind,” with Mark Knopfler on guitar).
All albums in the series are being mastered by Bernie Grundman from the original analog tapes except for Ajaand Gaucho, with the later being sourced from a 1980 analog tape copy originally EQ’d by Bob Ludwig (There’s no evidence the original tapes containing the flat mixes of Aja and Gaucho were delivered to the record label and it’s presumed the tapes no longer exist). Lacquers for UMe’s standard 33 1/3 RPM 180-gram version will be cut by Alex Abrash at his renowned AA Mastering studio from high-resolution digital files of Grundman’s new masters and pressed at Precision. They will be housed in reproductions of the original artwork.
The 45 RPM UHQR versions will be pressed at Analogue Productions’ Quality Record Pressings on 200-gram Clarity Vinyl, packaged in a deluxe box, and will include a booklet detailing the entire process of making a UHQR along with a certificate of inspection. Each UHQR is pressed, using hand-selected vinyl, with attention paid to every single detail of every single record. All of the innovations introduced by QRP that have been generating such incredible critical acclaim are applied to each UHQR. The 200-gram records feature the same flat profile that helped to make the original UHQR so desirable.
