R.E.M. has always been known for their ability to reinvent their sound while staying true to their unique essence. Released in 2001, Reveal is yet another testament to their musical evolution and artistic brilliance. This album marked a departure from the band’s previous work, delving into a more electronic and atmospheric sound, which left fans both pleasantly surprised and intrigued. Having only been released on vinyl on its initial release in 2001, it is now seeing a repress as R.E.M. and Craft Recordings have partnered to reissue their long unavailable titles on vinyl. Each reissue were cut by Kevin Gray at Cohearent Audio and pressed on 180-gram vinyl at MRP.
The album kicks off with “The Lifting,” a track that immediately transports listeners to a dreamy, ethereal world. Michael Stipe’s unmistakable vocals float effortlessly above layers of synthesizers and electronic beats. It’s an enchanting opener that sets the tone for the album’s exploration of new sonic territories. One of the standout tracks, the single “Imitation of Life,” is a masterpiece in itself. Its upbeat tempo and catchy melodies make it an instant classic, and Stipe’s introspective lyrics shine through: ‘That’s sugar cane / That tasted good / That’s cinnamon / That’s Hollywood.’ The song’s music video, directed by Stipe, further adds to its allure, with its captivating visual storytelling. Reveal showcases R.E.M.’s ability to craft songs that are both emotionally resonant and musically innovative. “I’ll Take the Rain” and “Beachball” are prime examples of this duality. The former is a melancholic ballad that tugs at the heartstrings, while the latter provides an airy, uplifting soundscape that evokes images of a carefree summer day.
The album’s production is pristine, thanks in part to producer Pat McCarthy, who masterfully blends acoustic and electronic elements. “Disappear” and “Chorus and the Ring” exemplify this fusion, with acoustic guitars seamlessly intertwining with electronic textures, creating a sonic tapestry that’s both intricate and inviting. Additionally, “Disappear,” inspired by the Radiohead song “How to Disappear Completely,” which in turn was inspired by Stipe giving Thom Yorke the advice to tell himself ‘I’m not here, this isn’t happening’ whenever he was dealing with stage fright. While Reveal showcases R.E.M.’s experimental side, it doesn’t completely abandon their roots. “All the Way to Reno (You’re Gonna Be a Star)” and “Summer Turns to High” harken back to the band’s earlier, more guitar-driven sound. These tracks serve as a bridge between the past and the present, illustrating the band’s ability to incorporate their signature style into their evolving musical landscape.
As with any album, there are moments that may not resonate as strongly with every listener. However, Reveal as a whole is a testament to R.E.M.’s willingness to push boundaries and explore new musical horizons, even as they continued to refine their craft.
In retrospect, Reveal may not have received the same immediate acclaim as some of R.E.M.’s earlier works, but it has aged exceptionally well. It stands as a unique and compelling chapter in the band’s storied career, demonstrating their capacity for growth and experimentation. It’s an album that rewards repeated listens, revealing hidden layers and subtleties with each spin.
