Everybody Digs Bill Evans is an album that stands as a cornerstone in jazz history, showcasing the exquisite craftsmanship of Bill Evans and his trio. Released in 1959, it captures a moment when jazz was transitioning, and Evans was at the forefront of this change, steering the genre towards a more introspective and lyrical direction. Evans recorded this landmark sophomore release just one month after leaving the Miles Davis sextet. As part of Craft Recordings RSD selections, Everybody Digs Bill Evans will receive a special mono pressing on 180-gram black vinyl cut from the original mono tapes by Matthew Lutthans at Cohearent Audio.
The album begins with “Minority,” a track that immediately sets the tone with its complex rhythms and Evans’ intricate play, offering a glimpse into the depth and sophistication to come. The compositions blend original works and reinterpretations of standards, each treated with Evans’ unique touch that makes them entirely his own. One of the standout tracks, “Peace Piece,” is an improvisational masterpiece that showcases Evans’ ability to create a serene and meditative atmosphere. It’s a departure from the more rhythmically complex pieces, offering a profoundly moving moment of introspection and calm. The trio, including Sam Jones on bass and Philly Joe Jones on drums, displays an exceptional level of communication and understanding. Their interplay is seamless, with each member contributing to the narrative of the pieces without overshadowing one another. This synergy elevates the album, creating a cohesive and immersive listening experience. The production quality of “Everybody Digs Bill Evans” is noteworthy. Despite being recorded over half a century ago, the clarity and warmth of the recording allow the listener to appreciate the nuances of Evans’ touch and the subtleties of the trio’s interactions.
Overall, Everybody Digs Bill Evans is a seminal album that showcases Bill Evans’ virtuosity and innovative approach to jazz and serves as a testament to the genre’s evolving landscape during the late 1950s. It was voted number three in the ’50 All-Time Overlooked Jazz Albums’ from Colin Larkin’s All-Time Top 1000 Albums. It’s a must-listen for jazz enthusiasts and a compelling entry point for those new to Evans’ work. It offers a rich and rewarding auditory experience that resonates long after the final note has played. The rich tones of this mono pressing make this a must-have for any Bill Evans fans of this RSD.
