9) “People really like to see someone struggling on stage”
Trey got some sound advice from Neil Young before embarking on his first solo tour. Listen as he tells the story after a swing-and-a-miss on his first take of Billy Breathes on the Piano.
1999-05-08 Oscar Mayer Theatre, Madison, WI
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treybilly.mp3]
8) Fucking Aftermath
In a moment that many Phish geeks had dreamed about, the instrumental Aftermath found on The White Tape was finally performed live with a little help from co-author Roger Holloway. Hear about Roger’s history with the venue in the audio below.
1999-05-07 American Theatre, St. Louis MO
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treyaftermath.mp3]
7) Andre The Giant/Summer Of ’89
Well it took a really long time, over ten years, but the instrumental Andre The Giant that Trey played twice on the ’99 tour got words and became the Phish tune Summer Of ’89.
1999-05-07 American Theatre, St. Louis MO
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treygiant.mp3]
6) Bug was a TAB song first
We’ve been taking a trip down memory lane as we revisited all of the audio from the Trey ’99 tour and one constant I found was that while everyone knows that Sand, First Tube, Gotta Jibboo etc. came from this tour, a lot of people forget that there were two electric performances of Bug in ’99 before it hit the Phish stage. Hear the first one and Trey describing the songwriting experience with Tom.
1999-05-08 Oscar Mayer Theatre, Madison, WI
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treybug.mp3]
5) SBD of 9:30 Club
The audience recordings from this tour are great, especially from the nice sounding theaters, but there is one leaked soundboard. It’s a partial – six tunes from the 9:30 Club, but damn does it sound good. Hear the I Can See Clearly Now > Aqui Como Alla below.
1999-05-11 9:30 Club, Washington DC
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treyclearly.mp3]
4) “Drunken Mayhem”
Performing a solo acoustic set of music can be a struggle. While most Hidden Track readers will likely subscribe to the, “You paid money to get in, why would you talk over the music?” philosophy, the truth of the matter is that sometimes you just get a chatty crowd.
The attentiveness of the Trey ’99 crowds were a little hit or miss. Sometimes Anastasio was psyched about how attentive the crowd was (Binghamton for example.) But the club shows (9:30 Club for example) can be a tougher crowd to tame. Trey had one theme he liked repeating when discussing this and that was Drunken Mayhem. He mentioned it on more than one occasion and often paired his mayhem banter with his “New Country Song” – Name. The best was in Portland when his discussions of the mayhem led to a brief performance of Feel Like Making Love and then Name. Listen to that below. And we wish Trey luck on some quiet crowds this coming tour as he returns to this ’99 format.
1999-05-14 State Theatre, Portland, ME
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treymayhem.mp3]
3) Trey Teases Crosseyed and Six People Notice
As incredible as a number of the performances of Sand are from the ’99 tour, there is some seriously good shit in a couple of the O-o-h Child jams. The first electric song played of the tour – not including the one gig played in February – was the O-o-h Child 2nd set opener in Ann Arbor and it gets funky. Other versions get beautifully ambient, and this version from Chicago contains some Crosseyed & Painless teases that barely gets picked up by the crowd.
1999-05-06 The Riviera Theater, Chicago, IL
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treychild.mp3]
2) Horn Section in Burlington
At the penultimate gig of the tour The Trio was joined briefly by Dave Grippo and the Frederick Tuttle Middle School “Jazz Allstars”. Perhaps this was the motivation for adding a three-piece horn section the next time Trey, Tony & Russ toured. Phish also joined in for some Taj Mahal and Hendrix in the encore. Listen to Trey’s cover of Dionne Warwick’s Then Came You with help from the horn section below.
1999-05-17 Flynn Theater, Burlington VT
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treythencame.mp3]
1) First-ever show at the Denver Fillmore.
A late addition to the tour schedule, Trey had the honor of playing the first-ever notes inside this brand new venue in Denver. Always aware of the importance of a good opener, Trey chose this moment to perform the first – and thus far the only – acoustic version of Taste. Listen below to Trey telling the crowd about the significance of being at a venue’s first show.
1999-05-19 Fillmore Auditorium, Denver, CO
[audio:https://glidemag.wpengine.com/hiddentrack/wp-content/uploads/2010/07/treyfillmore.mp3]
All the audio courtesy of all the great recordings included in Trey Anastasio 1999 Project.
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