While beter than the last several weeks, The Walking Dead keeps up it’s tradition of meandering slowly through the mid-season.
[rating=9.00] Somewhere between the sparse, sly delivery of Mark Sandman’s Morphine and the formidable big brass sounds created by acts like Tower of Power lies Josh Hoyer and Soul Colossal.
The Walking Dead may have come out of the gate with a bang, but it’s stumbled once more into the morass of mediocrity.
The Austin Film Festival, which dedicates its focus on the role of the screenwriter in the motion picture process, drew to a close at the end of the week, wrapping
While the frequency of showings may have died down a little at “the writer’s festival,” there were some centerpiece films still highlighting the schedule. While The 33 and Brooklyn commanded
Having reached the halfway point of the 22nd annual Austin Film Fest, more red carpets were laid out for actors and filmmakers out to celebrate the role of the screenwriter
[rating=5.00] “He’s Not Here” For the first time since the sixth season premiered, we get a slowdown from the breakneck speed and the confined timeline of the first three episodes. With
It was a frantic and bustling third day of The Austin Film Festival, now in its 22nd year of celebrating the role of the screenwriter. While the numerous and occasionally-costumed
For the Austin Film Festival’s second day, a morning full of torrential rains and flash flooding put a severe damper (pun intended [editor’s note: ugh]) on getting easily around Austin.
[rating=4.00] Brian Helgeland’s latest screenwriting foray into the world of organized crime, which he also directed, is the kind of movie that sounds like an absolute must-see. A 1960s mob
