Doug Collette

Graham Parker: Higher Ground, South Burlington, VT 4/24/10

Perhaps only a fan who truly appreciates Graham Parker as much for his non-conformist attitude as his aptitude with a pop tune might find the unconventional approach of his April 24th Vermont show satisfying. In a sojourn through his independent discography of the 80's and 90's, the transplanted Brit spent most of his 90 minutes on stage picking and choosing tunes like "Bean Counter," from Acid Bubblegum, and offering a handful of culls from his newly released Imaginary Television (the source of the sole stage production in the form of a small TV on a barstool center stage).

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Graham Parker: Imaginary Television

It's not necessary to be aware of the thought process behind Graham Parker's Imaginary Television to appreciate the rare combination of immediacy and understatement that permeates its material and musicianship. But knowing the story behind the album's concept elevates the author's acerbic commentary on the television medium (and the culture at large it reflects) while also reaffirming the record album as a potent means of making a statement.

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Dr. Dog – Studio Talk with Scott McMicken

Equal parts quirky and kick-ass, Dr Dog has defined the D.I.Y approach to making music. In the span of a decade, they've redefined and reaffirmed the process of building a grassroots fan-base with a series of increasingly sophisticated recordings and regular touring. The logical culmination of their creative voyage was signing to Anti- and recording their newest album – Shame, Shame.  

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BoDeans: Mr. Sad Clown

Having debuted on the roots-oriented Slash Records in 1986, making Americana music years before the term was coined alongside labelmates The Blasters and Los Lobos, Kurt Neumann and Sammy Llanas have remained staunchly independent during the course of their career as BoDeans. Mr. Sad Clown is their tenth studio album , a collection of fifteen original songs that stays true to that direct means of communication they've always preferred and that approach generally stands the duo in good stead.

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Grateful Dead: Road Trips Volume 3 Number 2

Volume 3 Number 2 is one of the best of the Grateful Dead's Road Trips and augurs well for the redefinition of this archival project. Originally conceived to highlight particular phases of the band's career, this series has more recently come to reflect its esteemed  precursor, Dick ‘s Picks, in offering complete performances from the group's history.

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Dave Holland – A Mystical Undercurrent

Dave Holland is a deceptively unassuming man. His deliberate manner of speaking belies a passion laced with a mystical undercurrent that may in fact explain the unusual combination of talent that has him compared to great bassists in jazz like Scott LaFaro as well as the genre's outstanding composers like Duke Ellington.  

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John Hiatt and The Combo: Lebanon Opera House, Lebanon, NH 3/9/10

A rare mutual enthusiasm developed during this late winter/early spring night in New Hampshire while John Hiatt and The Combo played their extended single set. The group nurtured an exceptional bond of musical comradeship and community within the vintage Lebanon Opera House, the result of which was a palpable warmth in the room that had nothing to do with the temperature.

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Dave Holland Octet: Pathways

The greatest virtue of bassist Dave Holland's recordings, whatever the size of the ensemble he leads, lies in how directly the compositions evolve from the improvisation(s) of the players.    The key may be that Holland writes with his players in mind. As exhibited on the title song to this live recording from Birdland in 2009, that's clearly a consummate talent in itself. But the band's still got to execute and it's only a matter of moments before the Octet is in full flight for close to eleven minutes on "Pathways." 

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Jimi Hendrix: Valleys of Neptune

Valleys of Neptune is a sixty-minute collection of never-before-released tracks recorded during the transition phase of The Jimi Hendrix  Experience in 1968 and 1969. In the course of a dozen cuts, the CD vividly illustrate the restless creative urge of the late guitar icon and augurs well for the next phase of archival releases.

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Eric Clapton & Jeff Beck: Madison Square Garden 2/19/10

Jeff Beck stole the show from Eric Clapton at Madison Square Garden February 19th. Or he would have if Slowhand had deigned to compete with him for the spotlight. But in a magnanimous gesture of generosity, similar to that which EC tender Steve Winwood two years ago around this time, the archetypal guitar hero preferred to let his successor in The Yardbirds take front and center the second of their two NY shows together. And to his tremendous credit, Jeff Beck made the most of his opportunity.

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