The first time you hear the lush sonic beauty of Texas Hill Country singer-songwriter Israel Nash you might be moved to the kind of description this writer penned when listening
Afrofuturism is the fifth solo album on five different labels by the alto saxophonist/composer/producer Logan Richardson, likely an indication of his unbounded curiosity, and restless, open-minded approach. Five albums may
Female poets are all the buzz now. Awarding-winning poet Joy Harjo (not to be confused with Amanda Gordon), member of the Muscogee Creek Nation in Oklahoma, is the first Native
Lost albums invariably bring with them compelling stories. Try this one – from the liner notes. A master tape sits in an Atlantic Records warehouse in Long Branch, NJ for
It’s clear that French alto saxophonist Pierrick Pédron was inspired by Charlie Parker. After all, his first album, released in 2001 is entitled Cherokee. Now some eight albums later, we
Jay Gonzalez of the Drive-by Truckers has more in common with polished sounds of The Beatles and The Beach Boys in his solo efforts than he does with the gritty,
Punk-country rocker Jason Ringenberg returns untypically quickly for this solo, socially distanced, masked up solo effort Rhinestoned, which follows 2018’s Stand Tall, which had marked his first solo album in
Soul-jazz guitarist Dave Stryker is one of the most prolific artists on the scene. Last May we brought you Blue Soul where he performed with the WDR Big Band. Baker’s
Room Enough, Time Enough is Iowa- native and Minneapolis-based singer-lyricist & folk activist David Huckfelt (formerly of The Pines) second solo album. The theme of this record, like 2018’s Stranger
While the name may not be familiar, realize that singer/songwriter Randy Lee Riviere (pronounced “Ri-VEER) up until now has been recording under the moniker Mad Buffalo, via which he released
