[rating=8.00] If you can get through “End of the Rope”, the first song on Brett Harris’ sophomore album Up in the Air without beaming and feeling all warm and fuzzy
[rating=7.00] In the ever expanding world of indie psych rock, Quilt stands out. Anna Fox Rochinski’s sultry, smoky voice is haunting and pierces through her band’s trippy, fluid arrangements, lulling
[rating=7.00] If you were already a fan of Cotton Jones, then you are familiar with Michael Nau’s soft, lovely voice. Part Beatles, part Nilsson, with a little smoke and the
[rating=4.00] It’s hard to imagine a band more divisive than Animal Collective, a wonky group of guys who straddle the line between stunt and seriousness. But no matter what you
[rating=7.00] Washed out is such a common aesthetic these days, it has practically become its own genre, and within that genre Wild Nothing have always stood out. With their latest
[rating=5.00] Mount Moriah has taken a shiny polish to their sound and come up with the exuberant How to Dance, their follow up to 2013’s beloved Miracle Temple. And what
[rating=5.00] In this age of pseudo throwback soul saturation, it seems that the list of bands jumping on this genre wagon is never-ending. Some are exceptional and others fall short.
[rating=7.00] There’s a dreamy murkiness to the new record from Deep Sea Diver, no doubt influenced by their hometown of Seattle. Their sophomore LP Secrets is 10 tracks of scuzzy
[rating=8.00] Mavis Staples can do no wrong. At 76, she is as vivacious and powerful as ever, and her energy is infectious and astounding. Her latest record Livin’ on a
[rating=6.00] In terms of talent, sheer vocal power and songwriting, Lissie is a no-brainer. The solo artist has been through a lot since her 2010 debut Catching a Tiger. And
