[rating=9.00] Ever since Alabama Shakes knocked us over the head with their 2012 release Boys & Girls, we’ve all been waited with bated breath for their follow up. Now that
[rating=8.00] For most people who love them, Calexico can do no wrong. And over their twenty years or so as a band, they’ve continued to evolve while simultaneously remaining consistent.
[rating=8.00] Who is Jessie Baylin? Is she a country artist? Pop, rock, or folk? The only thing that’s certain is she can’t be pegged down. She’s got a gorgeous, interesting
[rating=7.00] It’s impossible to hear a Josh Rouse song and not know immediately it’s him. His sound has been so consistent since the start of his career, and though I
[rating=7.00] Lord Huron burst on the scene in 2012 with the blustery dream-folk sounds of their debut record Lonesome Dreams. A gorgeous flowing stream of clean harmonies and angelic guitars,
It only takes one listen to the new record Cosmetics from ‘super group’ Diamond Rugs to be won over by their cheeky charm. Which is why it was a bit
[rating=7.00] Characterized as a break-up album, Death Cab for Cutie’s latest, Kintsugi, follows in the footsteps of 2011’s Codes and Keys, a mostly forgettable record from a band that specializes
[rating=10.00] Of all the many ventures of Sufjan Stevens, it seems he’s rarely faced inward toward himself. 2003’s Michigan and 2005’s Illinois were deeply intelligent, beautiful, wacko records, but mainly
When Dave and Phil Alvin reunited for the Grammy nominated Common Ground last year, it gave longtime fans of the duo the warm and fuzzies. A collection of Big Bill
[rating=8.00] From the electric guitar licks that give you your first taste to the chaotic percussion that kicks in shortly after, Jon Spencer Blues Explosion’s new record will have you
