[rating=7.00] For Ronnie Fauss, a musical career came after he’d already racked up some life experience. And it shows in the best way on his new record Built to Break,
[rating=9.00] Bloodshot Records is so deeply ingrained in the hearts of its followers that it’s hard to imagine a time when it didn’t exist. For their 20th birthday, they’ve collected
Jessica Lea Mayfield is like a little woodland sprite, all soft-spoken, tiny and fair-haired, until she sings. Her voice is rich and full-bodied, sometimes sultry and always a little sullen.
[rating=9.00] There’s something so haunting and dreamlike in Jason Molina’s voice, and when you hear it, you’re left with an inherent understanding that you’ll never be the same again. More
[rating=6.00] Listening to any of Ariel Pink’s work requires serious patience. He’s an indie rock oddball, and one of the genre’s most polarizing figures, indeed. On his latest record pom
It has been a hell of a year for J. Roddy Walston and The Business. Since their breakout record Essential Tremors arrived in 2013, they’ve amassed a major following, landed
[rating=9.00] Thank goodness for Eliot Bronson. One of the best releases so far this year, Bronson’s self-titled record is a rock and roll, folk, country mash-up that showcases his strong
[rating=9.00] Sallie Ford is the ultimate garage rock dream girl, maintaining her effortless badassness and sexy demeanor with every note she sings. Her voice is soulful and quivering, but strong
[rating=7.00] Upon first listen to Sam Amidon, you may feel transported to a sepia-tinged past. There’s always been something really old world about his composition and singing style, and since
Before the beloved Drive-By Truckers took the magnificent stage at the Beacon Theatre on Friday, October 17th, Birmingham, Alabama-based band St. Paul and the Broken Bones tore the place up.
