With their Sub Pop debut, The Great Destroyer, Low enlists the services of David Fridmann (Flaming Lips, Mercury Rev) to give them a kick in the realm of an aggressive guitar rock record.
Xavier Rudd has been known to dabble around with a few instruments. Well, maybe a few is an understatement, as he keeps himself so encircled on stage, he resembles a coin-dropping carnival act. But after hearing this multi-instrumentalist, it’s tough not to take him quite seriously.
Although Transistor Radio may be a come-down from Ward’s prior release, the full sounding Transfiguration of Vincent, M.Ward
With their flair for electronics, low end bass and climatic riffs, Ratatat might do well for themselves by learning to stretch things out a bit. After the appetizing forty-five minute set, there was clearly room left for a main course at Higher Ground.
Live At The Fillmore, the new DVD from Vida Blue and the Spam
Allstars, celebrates the marriage of these two distinct bands on
stage.
Whether LCD Soundsystem is a band, studio creation or a glorified DJ
is yet to be seen. But using Murphy
To the delight of Percy Hill fans, After All shows no signs of reinvention, instead it’s another sticky album, that sounds like Percy Hill should sound:
soulful, funky, crisp and dynamic. It
The Thievery Corporation aren
The Milk-Eyed Mender wasn
