As we previously reported, the Gorillaz have been celebrating the holidays with an advent calendar on their website, which each day revealing exclusive band-related content. With just ten days to
Taper Scott Bernstein continues to release new installments of his BARN series, which features wonderful uncirculated recordings from his collection. BARN release #67 hits right in this column’s wheelhouse. God Street
As we mentioned last week, Bruce Springsteen and the E Street Band reunited for their first performance of 2010 at the Carousel House in Asbury Park, NJ on December 7th.
This week, featured columnist Brian Bavosa lets legendary artist Bob Marley do most of his talking for him by sharing this playlist of videos that represent who Marley was…
There are few artists we have ever known that are considered by some more than just a mere mortal. Some are revered to legendary, idol-esque status, for not only mastering their craft, but the very essence of their being and what they represent. One such musician is Bob Marley.
There is nothing more that I can say about Marley that you don’t already probably know, or is written about in dozens of books. So instead, this week’s installment of Postcards was simply inspired by my walks to and from work these past few days in the freezing temperatures of New York City. Being a man of many words, I figured I’d mix things up for you loyal readers this week, and instead focus on a man and an icon that speaks volumes by himself. So, sit back, relax and simply enjoy this playlist of some of my favorite – and most poignant – Marley tunes to help get you over hump day.
1.) This first track, War, is a timeless piece that still resonates today. In a recent issue of Rolling Stone, musician Jack Johnson speaks of Marley as “royalty” in the islands, and has some specific comments about this track. “Marley was able to dive into politics and take on the darkest issues. That’s what made him amazing. The thing is, he had sweetness in his voice, but he also had fire, and when he opened up, nobody could do it better.”
READ ON for clips and Brian’s thoughts on six more Marley tracks…
As the flood of year-end album lists continues to roll in (yeah, yeah, we’re working on it), one album that seems to be popping up with some regularity is the
Among all the fleeting genres that show up briefly as a blip on the popular culture radar screen only to quickly fade away, there are a few that really manage to stick, and ultimately define a sub-culture or even a generation. We’ve seen it to varying degrees with genres like punk, heavy metal, or rock n’ roll itself; all essentially made up terms that went on to mean everything.
For better or worse, another one that stuck was “alternative.” Initially, an outcrop of the grunge scene, alternative went on become an all-consuming pop culture multi-beast; taking hold of not just music, but cinema, fashion, and art as well. Alternative was everywhere, which begged the question: to what exactly is this an alternative? It was a brand, a marketing gimmick that was consumed – no, devoured – by the mainstream.
Yet beyond the irony of it all, it also represented a relatively heroic period in popular music whereby genuinely awesome bands ruled the radio. Pop culture, the mass media, and most of all, kids, were actually listening to good music. It was one of those rare times in modern music history where to some extent, the best bands were also among the biggest, most famous, and widely listened. READ ON for more from Ryan…
While Bon Jovi may have made more money on the road than any other band this year, but there’s one thing they didn’t accomplish – getting into the Rock and
The latest Funny or Die clip had us cracking up this afternoon, so we just had to share. Take a look as comedians Will Ferrell and John C. Rilley do
Guess it’s a week to talk about comebacks from the world of hip-hop, as Lauryn Hill has announced a ten-date Northeast tour that will kick off at the Higher Ground
In the pantheon of gut wrenching, emotionally charged break up albums none may top the sheer heartbreak found throughout Bob Dylan’s 1975 release Blood On The Tracks. The album has been mined for its share of covers over the years, but it’s the first time we are actually featuring a track from what is arguably one of Dylan’s best LPs.
While there may be a few more obvious choices, we’re going with the moody album’s melancholy closing track, Buckets Of Rain. The tune, which according to Wikipedia has astonishingly only been played live once by Dylan, is as tender as it is devastating with lines such as, “Like your smile, and your fingertips. Like the way that you move your lips, I like the cool way you look at me. Everything about you is bringing me misery.”
The Constestants:
Before hitting it big on his own, M. Ward was a member of Beth Orton’s touring band. The duo’s version finds Orton and Ward trading off on the verses, which was released as the B-side for the digital single of Heart Of Soul, a track that Ward co-wrote with Orton for her 2006 album Comfort Of Strangers
READ ON for more covers of Buckets Of Rain from the likes of Neko Case, David Gray, Vic Chesnutt and more…
