[rating=7.00] While there has never been a shortage of great rock bands coming out of Australia, this decade has seen a major influx of Aussie rockers. The psychedelic rock scene
[rating=7.00] Grammy award winner Jon Cleary recently put out a live solo album that featured deep covers of his adopted cities musical pioneers. He has ingested those influences for years
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Salvation, the new album from Ontario punks The Penske File, in his signature six-panel comic strip form. Click on the image for full resolution (best
[rating=8.00] Releasing at least one album every year over the last decade, it’s amazing that garage rocker Ty Segall has been able to maintain a consistently high quality over his
[rating=8.00] The Allman Brothers Band’s Cream of the Crop 2003 is hopefully just the first in a series of archival releases under the Peach Picks banner. Comprised of concert recordings
[rating=8.00] One can only imagine what Lori McKenna’s Massachusetts house must be like. She’s the mother of five. She’s also racked up so many trophies (Grammys, CMA, ACM, and AMA)
[rating=6.00] For the second studio release from the experimental guitar noise duo Body/Head titled The Switch, the art rock lifers Kim Gordon and Bill Nace decided for a less structured
[rating=7.00] The Sleazeball Orchestra proudly proclaim they play sleazy stripper jazz and any burlesque show with this soundtrack should be honored as I Ain’t In Love No More manages to
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Bay Dream, the new album from heavy rockers Culture Abuse, in his signature six-panel comic strip form. Click on the image for full resolution (best
[rating=8.00] Last year’s premature passing of Austin singer/songwriter Jimmy LaFave was a tragedy for the music world as a whole, but Americana music in particular. LaFave’s songs were both poignant
