Tripper has more of a narrative focus than previous Fruit Bats efforts. On his fifth album, Eric D. Johnson consciously shifts to story-based songs. While he leans more toward the storyteller brand of songwriter, though, he steps away from the sunny folk pop that is most identified with Fruit Bats releases.
Alex Schaaf recorded his debut album, The Mistress, alone in his Wisconsin bedroom. Under the moniker Yellow Ostrich, Schaaf’s music has the intimate feeling of poetry reverberating off the four walls of his confined space. The minimalist song structures use instruments to fill in gaps in the open-ended tracks. An occasional thud of a kick drum or piano chord have a jarring effect, seeming out of place with the flowing vocal melodies, but it is those vocals that provide the meat of the album.
While they could continue to deliver solid sets of songs constructed in their conventional paradigm, their willingness to experiment and travel in new directions with their latest record– and do so successfully– both reinvigorates their catalogue and shows that they still have plenty to say, and it’s worth listening in.
The Jimi Hendrix Experience Winterland single CD, just released by Legacy Recordings through its affiliation with Experience Hendrix, is not the same music as originally put out through RykoDisc in 1987. It is, instead, a distillation of the four CD deluxe package available the same day as this new release, which is, in turn, a condensed representation of recordings made over three nights in October of 1968 at the now defunct San Francisco venue once overseen by the late impresario extraordinaire Bill Graham.
The sweet closing tracks are punctuated by the crowning final minute of “Held My Head,” a gorgeous blending of instrumentation. Throughout the album, precise musicianship, appealing song-craft and intertwining waves of melancholy and joy create a balanced collection of ten songs, an excellent early-morning album to accompany the rising sun.
On the whole, the Earth Division EP works structurally, serving an image of a classically-informed sandwich with some meaty sounds left in the middle to savor.
This is one spark-plug of a new artist we got right here. Lydia Loveless Bloodshot Records debut Indestructible Machine kicks ass, leaving a a scattered wake of creepy stalkers, shot glasses and bibles as it blows by. Loveless was reared on country twang, but came of age in the adolescent rage of punk rock and both can be felt wrestling with the singer/songwriter throughout the release.
With tunes from The Beatles (McCartney’s “I Will”) residing comfortably next to standards of a different era ("I Loves You Porgy"), the array of songs matches the versatility of the musicians involved. Deserving an audience beyond that of the genre itself A Moment’s Peace is a seamless piece of contemporary jazz that that never betrays an unnecessary compromise to broaden its appeal.
The title of The New Mastersounds’ latest, Breaks from the Border, refers to the fact that the album was recorded in the border town of Tornillo, Texas, but it may as well refer to the musical position in which the band finds itself in the wake of the album’s release.
Above all, Neon Indian’s sophomore effort Era Extraña illustrates the band’s musical maturation and showcases the evolution of their style, departing from their ambient, sample-speckled debut without losing its defining characteristics.
