Show Reviews

The Dresden Dolls: The Sugar Club, Dublin, Ireland 2/16/09

The Sugar Club may be one of the only place I enjoy going to in Dublin for live music.  It looks like a cinema-theatre, a place where everyone can see what is happening on the stage while being seated.  Amanda confirms later on her appreciation of the venue “This looks like fucking civilized”. The gig was sold out, which was no surprise because this is the front woman of the internationally known punk cabaret band “The Dresden Dolls”.

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The Album Leaf: Neumo’s, Seattle, WA 2/1/09

The Album Leaf in concert is a five-piece, multi-instrumental electronic collective, while behind the scenes, it is James LaValle, himself a talented multi-instrumentalist. LaValle’s meandering sound is beautiful: experimental electronica, pinging and bumping in all the right ways, creating nothing so much as an ambience for living. Live, the five-piece serves up a masterful blend of soaring melodies and steady beats, delivered by mostly traditional instruments (including a violin), and a video screen, projecting randomness.

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Antibalas: Southpaw, Brooklyn, NY

It was already packed tight when I arrived at Southpaw in the heart of Park Slope, standard for an Antibalas show in their home borough. The venue proved to be a good fit for the afro-beat collective, despite the small stage—wedging 12 band members, including keys, full percussion and six horns, into that cramped area was an impressive feat.

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Kings of Leon: Madison Square Garden, New York, NY

When I first heard that Kings of Leon were headlining the worlds most famous arena, I have to confess I did a double take.  Was this not the same band that only a few months ago were playing Webster Hall to an eager-but-miniscule crowd?  Well, the pretty boys pulled it off and rocked out last night while having a sold out fan base in its grips.  Caleb Followill remarked that KoL “have one of the last true fan bases in Rock and Roll.”  While that rather lofty declaration is up for debate, what is indisputable is the crowd’s reaction: pure adulation.    Playing through their entire catalog from Holy Roller Novocain to the arena rock tribute album Only by the Night, KoL ran through their catalog.  Highlights were “Milk”, “Sex on Fire”, “Revelry” and “Black Thumbnail” during the main set and, as a shout out to the island hosting them; they cut into “Manhattan” in the encore.  Removed from the music, one of the more interesting aspects to the Kings’ set had to be the spotlights, highlighting the brothers-Followill on drums, bass and lead vocals/guitar, while their cousin Matthew, on lead guitar, remained in the shadows.  A strange setup that was made even stranger when, post-encore, the three bowed on stage while Matthew left….your humble reviewer is not trying to start drama, but it was a weird sight.    All in all, while they could certainly fill MSG, the room may have been too big for them as the sound seemed to dissipate as the set progressed; “Cold Desert” and “Trani” were a bit weak and didn’t work as closers.  Kings of Leon are a big time rock band that will hopefully feel more at home when they play here next tour.  Setlist: Crawl My Party Molly’s Chambers Closer Revelry Fans Milk Four Kicks Wasted Time Sex on Fire Slow Light So Long The bucket Notion Black Thumbnail On Call Use Somebody Cold Desert Trani Encore: Knocked Up Manhattan Charmer

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The Walkmen: The Fillmore, San Francisco, CA 1/21/09

The Walkman: a black, square portable music player, a relic to a bygone age of music. The Walkmen: intangible, genre splicing rockers, behaving somewhat like relics. Fashionably speaking, most of the band dresses in 50’s lounge attire, favoring pinstripes and tanned vests. Their instruments are of a similar aged quality, looking like something one might find at a museum. The exception is bandleader Hamilton Leithasuer. If the rest of the band is a nod to the bygone era of the New York music scene, Hamilton is an emblem of its current manifestation: black, form fitting jacket; mousy, unkempt hair; a Fender Stratocaster, hung like a quiver, and played when, and if, he feels like it.

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Future: Ram’s Head Live, Baltimore, MD 1/10/09

Hailing from the mean streets of Northern Virginia, Future takes a genre busting approach to music, switching in and out of and sometimes fusing elements of funk, soul, psychedelia, gospel, hip hop, punk and rock into what often can be a very engaging blend. On Saturday night, they brought all these to a not large, but energetic (and feeding off the energy of a Ravens victory earlier in the day) crowd at the Rams Head Live in beautiful downtown Baltimore.

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Gov’t Mule: Hammerstein Ballroom, New York, NY 12/30/08

After two "acoustic" shows which you already read about on Hidden Track, Gov't Mule played the first of their annual year-end shows at New York City’s Hammerstein Ballroom on December 30th.  Of course, this was a new venue for Gov’t Mule with the Beacon Theatre being recently renovated, however Warren Haynes immediately made the room his own by opening with “Blind Man In The Dark.”

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AC/DC: US Airways Center, Phoenix, AZ 12/10/08

Despite the fact that AC/DC is considered classic rock , their relevancy in 2008 couldn’t have been more obvious by the deep lines at their merch booth tables within the arena. With mullett heads lined up next to the trendy set and almost a 2 to 1 girl to guy ratio, there wasn’t a genre of fan who couldn’t wait to sport the AC/DC logo on a t-shirt.   A

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Neil Young: Allstate Arena, Chicago, IL 12/09.08

So when Young came dancing across Lake Michigan to perform at Allstate Arena in Chicago, once again, he had a different bag of tricks. This time, it came packed with hit after hit: an electric and acoustic dream on a snowy and frigid evening.

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