In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Open Door Policy, the latest album from The Hold Steady, in his signature six-panel comic strip form. Click on the
The self-titled, full-length debut from Bones Owens hits hard with his blend of ’60s garage-rock, Hill Country blues, and swampy roots-rock – just call it rock, stomp, and swamp for short.
This writer last checked in with the forty-plus-year music veteran Curtis Salgado with his acoustic 2018 duet album, Rough Cut, with Alan Hager and previously with his full band effort,
Yes, sometimes things do come full circle. And yes, musical exploration has more than its share of coincidences. This writer picked up the classic Blue Note release, Joe Henderson’s Mode
Austin Crane, the man behind Valley Maker, brings us When the Day Leaves, his latest work with long time collaborators Amy Goodwin and Trevor Spencer. Where his previous album Rhododendron
This past Black Friday’s Record Store Day saw a limited-edition clear vinyl of the archival recording of legendary folk singer Fred Neil, entitled 38 McDougal which is now available in
Multi-instrumentalist Tash Sultana’s sophomore effort Terra Firma bumps along, dripping with layers of early 90’s R&B, indie rock, and dream pop escapism. Playing all sounds while delivering floating vocals, Sultana
Edie Brickell & New Bohemians release their new album, Hunter And The Dog Star, this week via Thirty Tigers. In many ways, this is the second album in the group’s new phase of
Songs and albums about love are nothing new in music. Although, with as contentious as our society has become, an album about love may seem like something of a novelty.
Since 2014’s underwhelming Teeth Dreams, The Hold Steady has released just one record, 2019’s Thrashing Thru The Passion, a strong return to form for the Brooklyn-based sextet. However, during those
