Ah, Black Friday is almost here. This features NEA Jazz Master tenor saxophonist George Coleman in an explosive set from Baltimore’s famed ballroom, the Left Bank in 1971. It is
Katarina Pejak is a classically-trained pianist who released three albums in her native Serbia. Through a variety of avenues, her attention turned to the blues, with influences like Otis Spann,
King Gizzard & the Lizard Wizard have released a new album. That already sounds like a tired statement; any article written about one of their new releases over the last
Chico Mann was a member of Antibalas, so it’s fair to say that he knows his way around funk. In fact, when he moved from New York to Los Angeles,
Matt Lorenz, the western Massachusetts-based musician who tours and records as the one-man band The Suitcase Junket, calls the music on his new album “The End Is New” ‘doom folk’,
Pianist Holly Bowling’s third studio album, Seeking All That’s Still Unsung, completes a circle—sort of. Her similarly-titled sophomore effort, Better Left Unsung, was wholly comprised of Grateful Dead material and
If not for the global pandemic, The Wild Feathers likely would have never put out Medium Rarities – a mix of covers, demos, B-sides and a handful of new songs.
Bentonia-styled blues was first laid down by artists such as Skip James, Henry Stuckey, and Jack Owens in the 1930s and kept alive principally by Jimmy “Duck” Holmes and a
Two-time Blues Music Award nominee Dave Keller is an acclaimed triple-threat: an outstanding singer, an intense guitarist and a talented songwriter. Fueled by his love of deep Southern soul-blues and
Samantha Martin & Delta Sugar are one of the premier soul bands in Canada. Lead vocalist Martin has been nominated for thirteen Maple Blues Awards to date, and that’s before
