In a seemingly parallel universe from fellow Atlanta native Lil Nas X’s country-rap juggernaut “Old Town Road” topping the charts for the seventh straight week, 21-year-old Faye Webster drops her
Shades of Shirley Horn represents a lifelong dream of sorts for D.C.-based vocalist Coniece Washington, who grew up with Horn and other female jazz vocalists like Sarah Vaughan, Ella Fitzgerald,
Pianist Dred Scott has a mind-blowing versatile resume that could stand with anyone’s, yet he remains under the radar for many. We usually categorize in an artist in some genre
NYC-based jazz guitarist Larry Corban delivers his fifth recording as a leader. Emergence is styled mostly on straight-ahead mid-sixties Blue Note jazz, half played with the Aperturistic Trio (pianist James
Back in 2008 the San Francisco based Thee Oh Sees (now they are Oh Sees) were going through a transitional period and released a quirky live album/DVD titled Thee Hounds
For all the expanse of the previous Waterboys’ album—three CD’s containing thirty-four tracks in its most grand form-there was no cut boasting its title Out Of All this Blue. There
Frankie Lee burst onto the scene in 2016, as an unknown, quickly signed to Sturgill Simpson’s label, and proceeded to deliver the highly acclaimed American Dreamer, which some prestigious outlets
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on When We All Fall Asleep, Where Do We Go?, the new album from Billie Eilish, in his signature six-panel comic strip form. Click on the
Justin Townes Earle plies several styles on The Saint of Lost Causes, but it reads primarily as a blues album. The topical matter at hand is not pretty. Perhaps it’s
Age has not diminished one bit of Mavis Staples’ passion. On the Ben Harper written and produced We Get By, Staples has delivered her best recording in perhaps fifteen years.
