Five years after their last studio album, 2019’s Laughing Matter, Wand has had some lineup changes but returns with an effort in the same vein. Vertigo, released on Drag City,
Given the range of endeavors Pat Metheny has pursued since beginning to work under his own name nearly a half-century ago, it’s noteworthy that his solo projects are among the
Drive-by Truckers fans are likely aware of the Deluxe reissue of the band’s breakthrough third album, Southern Rock Opera. Many have likely attended a live performance where the band is
The first collaboration between GUM (Jay Watson) and Ambrose Kenny-Smith, titled Ill Times, is an enjoyable mix of bright electro-pop and distorted funky jams. Watson had always used GUM as
Kiely Connell’s gritty and powerful sophomore effort may just be the only record coming out this year inspired by the writings of horror/fantasy author Neil Gaiman, musical theater, and John
Returning with their first album in twelve years, Beachwood Sparks deliver their cosmic canyon sound with odd quirks, and Americana influences on Across The River Of Stars. Produced by Chris
Available digitally as a 2LP gatefold and double CD, Al Di Meola’s Twentyfour is a veritable microcosm of the many solo albums he’s released since 1976’s Land of the Midnight Sun, issued during
It is not every day that Philadelphia’s Dr. Dog releases new music, as the expansive folk-rock project drops their first album since 2018’s Critical Equation. The 11-song self-titled outing is
On his new album, Simultaneity, Seattle’s electronic artist Manatee Commune, aka Grant Eadie, edges closer to the ambient genre than ever before yet remains within the envelope of house music.
Molecular Steve’s self-titled LP sounds like a mix between ELO’s Jeff Lyne and ‘90s era Meat Puppets, a perfect marriage of solid pop hooks and harmonies blended with off-kilter guitars,
