[rating=8.00] It’s not that Griffin Anthony is intimidated or disgusted by the relationship between art and commerce; he’d just rather accept its imperfection and keep on writing. After all, Anthony’s
[rating=9.00] One need venture no further into the depth and breadth of Granville Automatic’s new album Radio Hymns than its first tracks, the soothingly harmonious “Summer Street,” to feel totally
[rating=7.00] It’s not innovative by any stretch of the imagination, but Richard Lloyd’s latest album, The Countdown, is impressive enough to compel listeners to return to his past work, both
[rating=9.00] In recent years there’s arisen a clamor for Bob Dylan’s 1975 album Blood On The Tracks to be treated to the exhaustive archiving represented by the ongoing vault project
[rating=8.00] We are bringing you Erin Costelo’s second album this year in the space of just seven months. Sweet Marie follows Down Below, The Status Quo which was released in
[rating=8.00] When you search for Blood of the Sun, you realize that information about the band is not easily found. While you may not find much of a bio, the
[rating=9.00] Rosanne Cash has delivered some of the most memorable albums in this millennium. Her previous, 2014’s The River and the Thread earned three Grammy Awards. This time out though
In the latest Wannabe, artist Chris Prunckle offers his illustrated commentary on Alive and Alone, the new live album from horror rockers Harley Poe, in his signature six-panel comic strip form. Click on the image for full
[rating=8.00] Portland, Oregon has its fair share of country and Americana-style bands – perhaps more than most people might think – but one of the standouts has long been an
[rating=8.00] There’s little surprise herein. And that’s a good thing. The mellow, atmospheric, softly seductive sound Dean Wareham crafted at the helm of the indie prog bands Galaxie 500 and
