[rating=8.00] Much superior to the initial reunion record, 2012’s Three Chords Good, Graham Parker & The Rumour’s followup Mystery Glue is the work of former band-mates fully reacquainted with each
[rating=6.00] In the dead of winter in 2013, Tanlines, a prolific synthpop duo from Brooklyn, decided to record its second album far from home, and make it sound better than
[rating=7.00] Everyone loves Rhett Miller as the front man of Old 97s, but his solo records have been a bit more divisive. Miller has been more experimental with his own
[rating=8.00] Voices like Emmylou Harris and Rodney Crowell are classic. Their simple, smart and beautiful country songs are timeless and never go out of style. On The Traveling Kind, the
[rating=9.00] It doesn’t take but a moment into Sol Invictus, the long awaited album from a newly reunited Faith No More, to be reminded of all we’ve been missing in
[rating=8.00] The Milk Carton Kids are preserving folk music as they know and love it, whether it’s performing in their suits on stage, or keeping every song as simple as
[rating=9.00] When any album is this instantly catchy and flowing, a quick double check is needed. The proprietor of said album? Bop English aka James Petralli, the frontman of the
[rating=5.00] Best Coast is so SoCal it’s impossible not to listen to them and envision palm trees, white sand and sun-drenched neon. Bethany Cosentino is undoubtedly talented. Her voice is
[rating=6.00] There is a ramshackle shagginess that wafts off of Banditos self titled debut album where electric boogie, folk picking and the blues all are warped through their distinct southern
[rating=6.00] You might not immediately know it’s him when you hear The Tallest Man on Earth. His brand of folk music is nothing new or different, and it isn’t entirely
