Album Reviews

Brian Jonestown Massacre: Aufheben

Constantly experimenting with a mélange of sounds and styles, Aufheben finds the band cooly combining an instrumental hybrid of modern garage rock, moody electronics, eastern-influenced dub-lite, and Velvet Underground cool.

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Greg Laswell: Landline

Landline may not be the absolute best album in Laswell’s already impressive discography, but it’s pretty damn close. Landline is an emotionally resonant, musically diverse and vocally superior record that is easily one of 2012’s best.

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Arkells: Michigan Left

Following the success of their 2008 debut, Jackson Square, which had Arkells touring with the likes of Pearl Jam and Them Crooked Vultures, the Ontario indie rockers garnered acclaim for their energetic live shows. Michigan Left, the band’s second full-length album, is an attempt to capture that stage show on record.

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Never To Be Forgotten – The Flip Side of Stax 1968-1974

There will be hundreds of records to choose from on Record Store Day, and hundreds of hands pawing through them. Over in the 45 bins you’ll run across a box set that soul, funk and 45 fans that might be a bit much to process during the feeding frenzy, so here’s a heads-up: Never to be Forgotten: The Flip Side of Stax 1968—1974 brings together ten Stax 45s that are  both overlooked and memorable

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Moonface: With Siinai: Heartbreaking Bravery

Buried beneath the clunkiness of this project’s name is Spencer Krug, well-known as the noodling, keyboard-playing, co-leader of Wolf Parade.  Yep, you remember them: the versatile Canadian indie-rock outfit who rocked hard over the course of a handful of solid albums and EP”s before taking an indefinite hiatus last spring.

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The Mars Volta: Noctourniquet

Noctourniquet is undoubtedly the most accessible Mars Volta album yet, one that replaces the overreaching bloat of their last two or three titles with the most DIY display of prog-rock dazzle since Adrian Belew toured with Talking Heads. If The Bedlam in Goliath was their Tormato, then consider this excellent outing to be their 90125. And I mean that in the best possible way.

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Ane Brun: It All Starts With One

It’s not often one hears a new recording that immediately grabs the listener as something to which you’ll need to listen over and over. However, Norwegian Ane Brun’s new (and eighth) album, It All Starts With One, does exactly that.

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Galactic: Carnivale Electricos

Carnivale Electricos straight through represents one of the group’s famous Lundi Day concerts, playing the jambalaya funk til sun up.  Galactic are already ambassadors to the town, but now they add one more staple to their collection and in doing so show the rest of the world just how vital New Orleans is to the sound of life. 

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Diamond Rugs: Diamond Rugs

Diamond Rugs' self-titled debut, out on Partisan Records, is a 14-song gem lined with country-rock wailing, Replacements’ punk stomping, and bluesy jazz riffs reminiscent of Exile-era Stones.  The sum of its’ parts, Diamond Rugs’ song-craft will also remind listeners of the various members’ main projects. 

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Herzog: Cartoon Violence

Herzog are a new band (much like Surfer Blood) that swims in the same waters of late 90’s indie guitar rock made popular by Modest Mouse and Built To Spill.  The guitars are layered and textured at times reaching arena ready levels while the grooves always seem incredibly bouncy.  The lyrics are secondary and at times buried to deep but focus on heartbreak or distance without ever becoming bitter. 

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