Album Reviews

Richard Thompson: Front Parlour Ballads

Richard Thompson has released several albums over the years, so it’s puzzling that this record is a first. However, this enjoyable, folksy, laidback effort is Thompson

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Herbie Hancock: Possibilities

“The possibilities are endless,” writes Herbie Hancock in his latest liner notes to Possibilites. The album features ten inspired Hancock collaborations including: John Mayer, Santana and Angelique Kidjo, Christina Aguilera, Paul Simon, AnnieLennox, Sting, Jonny Lang and Joss Stone, Damien Rice and Lisa Hannigan, Raul Midon, andTrey Anastasio.

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Death Cab for Cutie: Plans

Plans fails to pick things up a notch in the rock department where Transatlanticism teased us in believing DCFC would be the next great experimental guitar band. There is a load of keyboard sap and wish washy ballads to deal that makes Plans a rather soft affair.

Maybe next time instead of recording in New England in the dead of winter, these west-coasters should stay in overcast Seattle and stick with a familiar formula. The true Death Cab sound is still here at times, but at the end Plans leaves you asking, “what is all the fuss about?”

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The Brakes: The Brakes – Vol. II (EP)

An upstart five-some rustling up a serious fuss in their native Philadelphia, the Brakes draw you in with a deceptively laid-back funk-rock thing, probably reminiscent of Sublime, the easy name-check, but also less remembered and way more musical groups of kind like e:verything and the Getaway People.

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Boom Bip: Blue Eyed in the Red Room

Try as it might, Blue Eyed in the Red Room ends up as a collection of near-miss electro instrumentals which could have advanced past golf-cart-cruise-music status with just a little improvement on the arrangements. It

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Feist: Let It Die

Having sung with Canadian indie-popsters Broken Social Scene to female rapper Peaches to the Kings, Leslie Feist has paid her dues. But it

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