
Howie Day: Stop All the World Now
If love-torn, boy-pop is what you want, you are much better off with John Mayer than this distant runner up.
If love-torn, boy-pop is what you want, you are much better off with John Mayer than this distant runner up.
Bluegrass legend Del McCoury pipes a
Feels Like Home builds on the jazzy-pop sounds that made Jones’ debut album, Come Away With Me, such a huge success, but broadens the playing field a little wider by also venturing into the styles of bluegrass and country. Norah’s gentle voice and subtle piano playing is somehow both relaxing and energizing at the same time, and the album opener and first single, “Sunrise,” pulls you in from the get go with her soulful vocals.
Just Because I
Steve Morse is the guitar virtuoso behind Deep Purple, the Dixie Dregs, and the Steve Morse band. He
One strum of a guitar and then Edie Brickell
The only promise these tunes can deliver is one for the cult lavish, who enjoy their music on the dirty and dark side. It’s been said the Liars frenzied live performances are quite the catch on the New York scene, so hopefully that energy is a bit more cohesive than the one preserved on record.
Before changing their name to the Ryan Cavanaugh Trio earlier this year – due to the departure of percussionist Chris Dougherty – Space Station Integration released Live from Nowhere. Fusing the traditional banjo with high-energy, jazz-fusion, Cavanaugh and company heighten the bluegrass bar by further adding elements of rock, bluegrass, funk, Celtic and Indian to the mix. All done of course with a definitive focus on improvisation.
Backed by remarkably accomplished musicians, including acoustic guitar role model Bryan Sutton and steel guitar master Dan Dugmore, Ms. Smith seems satisfied with pretty acoustic arrangements that only rarely give way to more aggressive expressions. It’s not a bad formula, as shown in “Angel Doves,” but it dominates the disc until the listener’s stupor is interrupted by the processed vocals of “Hard to Know,” a near-rocker that would be far more convincing if Ms. Smith’s tenuous voice could carry the voltage she wrote into the tune.