The east coast half of the two-date, bi-coastal festival presented an eclectic lineup of acts from every neck of the musical woods. Featuring artists like Jurassic 5 and the Wailers, all the way to rap/rockers like 311, and Boston’s hometown heroes the Dropkick Murphy’s; the abundance of represented genres was endless.
As sad as it is that CBGB’s is closing its doors at the end of the month, there couldn’t have been a better way to say goodbye to the Home of the Underground than with Pete Yorn. With his latest, Nightcrawler, just released, Yorn delivered some riveting new songs along with a repertoire of classics from his extensive catalogue.
Apollo Sunshine kicked off a tour-closing set in Northampton’s Iron Horse Music Hall to a crowd of starry eyed teens whose presence at a gig that started past 11:30 had to have broken a few curfews. The Iron Horse has long been known as the groups “home-base,” so to speak, and seeing as this was the last set the group would be playing before going on a lengthy hiatus, they made sure to put the extra effort into the set for their hometown-fans.
It’s not a stretch to say that Over the Rhine is at their creative peak. The last few years have produced the art rock Films for Radio, the addicting double album Ohio, and the intimate and personal Drunkard’s Prayer, not to mention a few internet-only live albums that have been sold to dedicated fans along the way. Granted, they haven’t caught national attention like Wilco or The Flaming Lips, but nonetheless, it’s been a great time to follow their lead and watch them evolve.
Over the years, Warren has evolved from a serious sideman to a mature bandleader who has endured the loss of band mates, shuffling of Jamband franchiseslike the Allmans & 'The Dead' to finally come out of his own Deep End into the rebirth of the Mule.
New and old (well, except for the crowd who were just old), the two Who’s rocked the worlds most famous arena with a collection of “oldies,” but primarily relied on the rather younger songs. After putting out a “mini-opera” back in July, Townshend and Daltrey have begun to march forward, with plans to release a new album in the next month, offering the bands first serious output since 1982.
Arguably the best festival of the summer, almost 20,000 people descended on the small Minnesota town of Detroit Lakes, for 10,000 Lakes Festival on July 19-22, 2006. The fourth year of this festival featured more of a jamband scene than previously, and included many top favorite acts and many regional artists, on the permanent fairground facilities that hosts the very large country music festival, We Fest.
To attend Bumbershoot, Seattle’s annual Labor Day orgy of the arts, is to understand all that is good about the Seattle music and cultural scene: the vivacity and seemingly boundless creative energy, the true breadth of artistic offerings, and the wide-ranging musical tastes of the audiences that support this incredible scene.
Ben Harper gave his heart and soul to a sold out crowd at Boston’s Bank of America Pavilion, with a set-list full of established fan favorites, and newer material that is gradually working its way into the former category.
Following an opening stint for Radiohead on the American leg of their summer tour, along with the past week’s release of Magic Potion, their debut on Nonesuch Records, the Black Keys have grown up from from their blue collar Akron roots.
