
The latest album from Austraila
There are of course gems in every year of the Grateful Dead’s last third (1985-1995), but when asked to find a period of prowess in that time frame, the year 1989, and specifically the summer tour, of which this July 4th Buffalo date is a true nugget.
After a 40-minute set of fire and brimstone Old Testament blues from opener Rob Jungklas and his three-man band, the emcee stepped onstage with a few announcements and the proclamation of Lucinda
Out Of Exile brings more monster riffs and testosterone-heavy anthems to the table, but offers nothing new or interesting enough to really keep you coming back for more. Exile even emulates the start-hard/finish-soft format of Audioslave
Around 2:30am the illegitimate child of Frank Zappa and Phish who grew up and formed a band with the metal loving, mullet wearing kid down the block, ascended to the stage. Opening with a double blast of pure raw energy,
Ron Levy
The Greencards debut album Movin
The low-key relaxed air that emanated from those on the lawn, just as equally matched the low-key relaxed air on stage.
Within wistful melodies and beautiful textures are Cat Stevens and pre-Yellow Brick Road Elton John influenced songwriting as Adam sings of everyday life with abstract metaphors which are open to listeners interruption.
With the continuous debates back and forth about Trey Anastasio