Seldom has an album come with more anticipation given young jazz vocalist Samara Joy’s Grammy win as Best New Artist in 2023. Arguably, much of Joy’s meteoric rise was attributable
On a warm October 4th evening in the West Village, Scott Chasolen and friends celebrated the release of his new album, Full Circle, by performing it in its entirety for
With Hurricane Milton bearing down on the gulf coast of Florida a little more than a week after the destruction of Hurricane Helene, fans of old-school rock and roll took
The Craft Recordings reissue of Howard McGhee and Teddy Edwards’ Together Again!!!! is a celebration of two monumental figures in post-bop jazz, brought back into the sonic forefront with pristine
Anna Butterss’ Mighty Vertebrate is a striking album that defies easy categorization, blending jazz, indie, and experimental music into a cohesive and imaginative body of work. Hailing from Adelaide, Australia,
Norwegian rock was the flavor of the night in Orlando as Leprous played The Plaza Live. The doors opened an hour late but didn’t hinder the moderate crowd’s excitement for
Brenton Wood is an unsung hero of the 1960s soul era, a name that may not ring as many bells as Marvin Gaye or Smokey Robinson but deserves just as
He was the posterchild for Satanic Panic in the 1980s and the inspiration for a slew of shitty teenage metal bands (and likely a few cool ones, as well). But
Two of indie rock music’s biggest success stories in the last decade are The National and The War On Drugs. The National, with its brooding dad rock sound that is
All The Days, the latest from Ireland’s The Devlins has a decidedly retro feel to it. Across 11 beautifully airy, synth-driven tracks the band brings to mind the early ‘80s
