Bob Dylan and his band played a brilliant show on the Green at Shelburne Museum on June 20th. In an expansive choice of material, every song seemed to have meaning
[rating=7.00] It’s ironic how a collection of castoffs and orphaned gems can blend into a masterpiece that almost proves more profound than the artist’s previous six records. Beach House, the
The mood always changes on the final day of any festival. There’s a vague hint of sadness in the air, as a weekend of bliss comes to a close. We’ve
When the weather’s on your side for a festival, there’s nothing quite like it. And on day two of Solid Sound, the sunshine felt damn good after damp and overcast
Now five Solid Sound festivals in, the team of Wilco and Massachusetts Museum of Contemporary Art (Mass MoCA) have settled into a groove. They’ve had two years since the last
[rating=6.00] Listening to the Melbourne-based group King Gizzard & The Lizard Wizard can be a bit of a mixed bag, to say the least. No two albums sound the same,
[rating=7.00] The Bad Batch is the kind of film where the less is said about it, the better. Not just for the lack of spoilers, but to give each viewer
[rating=8.00] If you’ve ever been to a live show and heard an incredible acoustic version of a song you know really well, and just wished more than anything that you
[rating=8.00] Willie Nile’s self-composed material hasn’t always measured up to his impassioned performances, so an album of cover material was probably inevitable. Still, he couldn’t have chosen a more fitting
[rating=8.00] Every so often you hear a record that makes you think, “they don’t make ‘em like this anymore,” and that is consistently the case with Steelism’s stellar new follow
