
SXSW Film Review: ‘Song To Song’ Hits All The Wrong Notes
Terence Malick’s long-awaited, utterly disappointing film set in Austin kicks off SXSW Film this year
Terence Malick’s long-awaited, utterly disappointing film set in Austin kicks off SXSW Film this year
[rating=9.00] It has been a long five years for fans of The Shins, eager for them to put out a new record. And though frontman James Mercer keeps himself busy
[rating=7.00] Anyone for Tennis? That’s the obvious question here, as well as the name accorded the Denver-based duo consisting of Patrick Riley and Alaina Moore. While these two music makers
There’s no beauty in this beast.
[rating=8.00] Valerie June has grown in the last four years. While her 2013 release Pushin’ Against a Stone was an anticipated splashy debut, particularly as she collaborated with Dan Auerbach
[rating=8.00] Throwback country music is a saving grace for me these days. I’m growing weary of felt hats and custom-fitted Americana coupled with the atrocity of radio-induced contemporary rubbish and
[rating=7.00] Music lovers are likely more familiar with John Andrews’ backing work on drums and keys in the rhythm section of bands like Woods or Widowspeak than they are with
[rating=8.00] Because of Jerry Garcia’s death in 1995, the decade of the Nineties casts a long shadow over the legacy of the Grateful Dead. Yet it’s not just the actual
[rating=9.00] The Grammy winning bassist-composer-singer Thundercat has come out with his biggest, most ambitious and best release to date. Drunk fuses Stephen Bruner’s (aka Thundercat) humor, bleakness, self-doubt, and modern
“Never doubt that fucking rainbow,” frontman Wayne Coyne told his Boston audience following a spaced out jam under an inflatable prism. Coyne and his Heady Fwends brought The Flaming Lips