The ALL GOOD Summer Festival and Campout, traditionally held the weekend before Memorial Day, will celebrate its ninth annual edition Friday, July 9 through Sunday, July 11 at Marvin
Death Cab for Cutie and Ben Kweller are headlining a spring North American tour. The month and a half-long outing kicks off March 24 at Omaha, Neb.’s Sokol Underground. Clubs and theatres across the nation will play host to the two young indie pop acts, with Philadelphia, Chicago, Dallas, San Francisco and Seattle all getting double doses. The co-bill runs through May 8, after which Kweller will continue with a string of West Coast dates. Death Cab for Cutie is warming up with a sizable European tour, set to begin February 7 in Oxford, U.K. They’ll hit at least 10 countries on the monthlong jaunt.
Source pollstar.com.
Saxophonist Cornelius Bumpus, a former member of the Doobie Brothers who has performed with Steely Dan since 1993, died yesterday (Feb. 4) en route to a series of performances in California. He was 58. Bumpus had a heart attack on a commercial flight from New York, said his friend, Rod Harris, an organizer of the Columbia College Jazz Concert Series, where Bumpus was to perform this week.
Bumpus’ wife, Linda, told Harris that her husband was dead when the plane made an emergency landing. “Cornelius was a man of great modesty and simplicity,” she writes on her husband’s official Web site, she says. “His life was music, family, and church. He never liked giving talks or speeches. He always felt more articulate with a horn in his mouth.”
On its site, Steely Dan expressed its “profound sorrow and sympathy to Cornelius’ wife and family.”
Bumpus began his career at age 10, playing alto saxophone in the school band in Santa Cruz, Calif. In 1966, he spent six months performing with Bobby Freeman, and joined Moby Grape in 1977, writing one tune for the “Live Grape” album. Bumpus also recorded two solo albums and toured with his own band.
Since performing with the Doobie Brothers in the early 1980s, Bumpus played with a number of bands, most recently with Steely Dan, which won the album of the year Grammy award for its 2000 release, “Two Against Nature.”
His relations with his former Doobie Brothers bandmates turned contentious in the late 1990s, when they sued him and several other musicians over their use of the band’s name. A federal judge in 1999 ruled against Bumpus and the other musicians, ordering them not to use the name.
Source billboard.com.
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Former Talking Heads frontman David Byrne’s new album, “Grown Backwards,” will also be his debut for Nonesuch Records. Due March 16, the set includes a duet with Rufus Wainwright on “Au found du Temple Saint” from Georges Bizet’s opera “The Pearl Fishers,” plus a collaboration with the Carla Bley Band on “Empire.”
“Grown Backwards” is Byrne’s first studio album since 2001’s “Look Into the Eyeball,” which was issued by Virgin. Last year, Byrne collaborated with members of Mogwai and Belle & Sebastian for “Lead Us Not Into Temptation” (Thrill Jockey), a soundtrack to the film “Young Adam.”
As previously reported, Byrne will join Ray Davies, Bright Eyes, Yo La Tengo, Keb’ Mo’, Nawang Khechog and artistic director Philip Glass at the 14th annual Tibet House benefit concert on Feb. 25 at New York’s Carnegie Hall.
On March 22 in Milan, he will begin an extensive spring European tour. A run of April U.K. dates will feature fellow Luaka Bop artist Jim White.
Source billboard.com.
The new Modest Mouse release, Good News For People Who Love Bad News, already delayed once from an expected September 2003 release, has been pushed back one more agonizing week. New date: Tuesday, April 6th.
The album was produced by Dennis Herring, whose credits include Camper Van Beethoven and Sparklehorse, among others. The new lineup includes the return of founding guitarist Dann Gallucci, whose only prior appearance was on the band’s shelved (but eventually released) K Records debut, Sad Sappy Sucker. And new drummer Benjamin Weikel, who took over following Jeremiah Green’s departure from the band last year, will apparently be sticking around. Good News also features appearances by The Dirty Dozen Brass Band and Tom Peloso of the Hackensaw Boys, as well as a remix of “The Good Times Are Killing Me,” by producer Dave Fridmann and The Flaming Lips. Tracklist:
01 Horn Intro02 World at Large03 Float On04 The Ocean Breathes Salty05 Dig Your Grave06 Bury Me With It07 Dance Hall08 Bukowski09 The Devil’s Work Day10 The View11 Satin In A Coffin12 Eric’s Interlude13 Blame It On The Tetons14 Black Cadillacs15 One Chance16 The Good Times Are Killing Me
The first single, “Float On,” will be released next Tuesday, February 10th via iTunes and other digital services. The single will also be available on a limited-edition seven-inch appearing in finer music stores around February 10th.
Source: Pitchfork
Indie-rock gods The Pixies have officially confirmed they are to reunite for a full tour this year.
The band, who split in 1993, had already been announced as one of the acts at this year’s Coachella festival in California, where they will appear on May 1.
The band are expected to play some warm-up shows in Canada before they appear at the Coachella bash. They will go on to visit Europe, with a host of festival appearances planned – slots at the UK’s V Festival, T In The Park and Glastonbury are strongly rumoured. The band are also thought to have a number of indooor shows pencilled in, including two nights at London Brixton Academy, as well as a support slot on Red Hot Chili Peppers’ summer European tour.
Full tourdates are expected to be announced shortly.
Source: NME.comUnofficial Official Site: FrankBlack.net
A war-worn Bosnian girl and a cowboy who throws like a girl. No, that’s not the beginning of a joke or the character set in a new misfit comedy, but an indicator of the brilliant variety of songs brought by a folk foursome-enigmatically from Virginia-called Eddie from Ohio.
Phantom Planet is still trying to find their identity. After two moderately successful albums of melancholy, California pop rock, Phantom Planet has taken a cue from some of their East Coast counterparts and released a self-titled LP of straightforward, guitar driven rock. Offering their best Strokes imitation, Phantom Planet has concocted a solid post-punk/post-grunge album that becomes more engaging upon each listen.
Wilco and the Flaming Lips are the latest bands to sign on for the fifth Coachella Valley Music & Arts Festival, according to the former’s official Web site and the latter’s official message board. The event will be held May 1-2 at the Empire Polo Field in Indio, Calif. An announcement of the full lineup is expected imminently; tickets go on sale Feb. 14.
As previously reported, the roster of acts also includes Radiohead, the first performance by the Pixies since 1993, Kraftwerk, the Cure, Air, Dizzee Rascal, the Thrills, LCD Soundsystem, Electric Six, Sahara Hotnights, Kinky, the (International) Noise Conspiracy, Prefuse 73, T. Raumschmiere, Sidestepper, …And You Will Know Us By The Trail Of Dead, !!!, Atmosphere and rap act Eyedea & Abilities.
For Wilco, the announcement comes just days after the departure of multi-instrumentalist Leroy Bach for reasons that have not yet been revealed. The group is at work on the follow-up to its acclaimed 2002 disc “Yankee Hotel Foxtrot,” expected in late spring or early summer via Nonesuch. Coachella is the lone upcoming date on its schedule at present.
The Flaming Lips wrap their run on the Big Day Out tour of Australia and New Zealand tomorrow (Feb. 1) in Peth, Australia.
Source billboard.com.
Trey Anastasio will release “Seis de Mayo”, an album of all-instrumental compositions written and recorded over the past couple of years on April 6 on Elektra Records. The seven tracks are performed by a variety of ensembles — string quartets, brass quintets, small and full orchestras — and though some of the titles may be familiar to Phish fans, the settings are radically different. The orchestral version of “Guyute”, debuted by the Vermont Youth Orchestra two years ago, is performed on “Seis” by Seattlemusic, a 66-piece orchestra. “Prologue” — previously integrated into Phish’s “Pebbles and Marbles” — performed here as the orchestral miniature Anastasio originally scored in his basement. “The Inlaw Josie Wales”, a solo guitar piece from Farmhouse, has been reconfigured for guitar and string quartet. The introduction to “Discern” has been restored to its intended horn-based format. And “All Things Reconsidered,” first heard on Phish’s “Rift”, is at last a fugue for string quartet. In addition, “Andre the Giant” opens the album with Trey on guitar, Mike Gordon on bass, performing with musicians playing the djembe and balifon, an African gourd instrument that sounds something like a marimba. “Coming To” is an orchestral Dixieland fantasio for horns and strings.
The album will be available for pre-order the beginning of March.
Source: Phish.com
