2004

PJ Harvey Retires From Stage

PJ Harvey sensationally revealed onstage in Paris this weekend that she is quitting playing live.

The star was performing in front of 350 competition winners at Studio 287 in northern France when she announced: “This is the last show I will ever play.”

The comment came in the wake of the likely last ever live show from The Libertines on the same bill.

The comment also echoes the statement made by David Bowie back in 1973 at London Hammersmith Odeon. It later transpired he was only retiring his alter-ego Ziggy Stardust.

PJ Harvey played a set featuring songs covering her entire 13-year career, including ‘Victory’, ‘Me Jane’, ‘Shame’ and the closing ‘Meet Ze Monsta’.

Source: nme.com

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Channels: Open

In the studio, a husband and wife pairing either lends itself to standard cookie-cutter romance or some completely unique creations. When they have a musical menage a trios with a fierce and fiery drummer though, the results are bound to be pounding hot.

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Spearhead, Ozomatli Contributing To Sublime Tribute Album

Spearhead, Camper Van Beethoven and Ozomatli are among the artists contributing tracks to the Sublime tribute album, Look At All the Love We’ve Found, due next summer. Sublime came to an untimely end when frontman Brad Nowell died of a heroin overdose in 1996, just two months before the California ska-punks’ breakthrough album.
Along with Blackalicious MC Gift of Gab, Spearhead take on “What I Got,” Sublime’s signature hit. “I decided to do the song because I am a fan,” explains Spearhead’s Michael Franti. “There was a sincerity about Brad’s voice and lyrics that I always identified with. It is such a tragedy when there is a band that has as much promise as Sublime, and it gets cut off so short. I remember feeling the same way about Nirvana.”

Camper, who will cover “Garden Grove,” got involved because Sublime had covered one of their songs. “There is a cover of ‘Eye of Fatima’ that’s essentially Brad Nowell by himself on acoustic guitar,” says bassist Victor Krummenacher. “It was a nice nod in our direction, and I thought that since Brad had enough respect to cover Camper, being part of this tribute album was more than fitting.”

“This was the first time we ever recorded a cover song and were proud of how it came out,” says Ozomatli leader Wil-Dog Abers of their version of “April 29, 1992.” “I always thought [Sublime] had something real.”

Others confirmed include Pennywise (“Same in the End”), Fishbone (“Date Rape”), the Greyboy Allstars (“Doin’ Time”), Avail (“Santeria”), Bargain Music (“Get Out!”), the Ziggens (“Paddle Out”), and Mike Watt with Stephen Perkins and Petra Haden (“Work That We Do”). Jack Johnson, No Doubt, G. Love and Special Sauce, and ex-Meat Puppet Curt Kirkwood have expressed interest in the project, according to organizers.

In putting together Love, Zach Fischel (head of Cornerstone RAS, an offshoot of Sublime’s longtime label, Skunk), invited artists who influenced Sublime as well as those who were influenced by them. “Sublime’s music was always diverse in its influences, and we wanted this tribute album to have the same type of diversity.”

Although their career lasted less than a decade, Sublime left their mark on the ska-punk world, issuing a pair of underground favorites, 1992’s 40 Oz. to Freedom and 1994’s Robbin’ the Hood, before Nowell’s death. The group’s third release, Sublime, was released posthumously, and became a major hit on the strength of such singles as “What I Got” and “Santeria.”

By design, Sublime bassist Eric Wilson and drummer Bud Gaugh will not appear on the album. “They’re in the loop, and they’ll definitely hear it before anyone else,” Fischel says. “We want them to just be able to sit back, relax and hear some great artists paying tribute to the music they wrote.”

Source rollingstone.com.

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2005 Tour Dates For The Music

In 2002 – before anyone in the band had turned 20 – Brit-rock quartet The Music exploded onto the charts when their self-titled debut hit No. four in the U.K.

Shortly thereafter, the band made their first U.S. appearance touring with Aussie sensations The Vines and fellow Brits Coldplay.

Now, with their latest release, Welcome to the North, the boys have announced a new round of tour dates that will have them traveling worldwide well into March.

The school chums comprising The Music – vocalist Rob Harvey; guitarist Adam Nutter; bass player Stuart Coleman; and drummer Phil Jordan – are playing a handful of dates before they head to Japan.

The foursome will do a week’s worth of shows in Japan before they travel to Australia to perform all six dates on Big Day Out.

Those shows will span from January 21 – February 6 and will include the likes of The Streets, System of a Down, Le Tigre, Hatebreed, Kid 606, The Hives, and many others.

From there, The Music jump to yet another continent and make their 2005 U.S. debut at New York’s Irving Plaza on February 17.

That same gig also marks the date that fellow U.K. indie outfit Kasabian joins the party. They are scheduled to appear with The Music on the remainder of the tour, which has dates scheduled into mid-late March.

Source pollstar.com.

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Todd Carey: Revolving World

It was just a bit ago that Todd Carey was stage leader and front-man of west coast jam rockers, Telepathy. Recently, a music transposition occurred for this Chicago native allowing him to mature as the sensitive singer-songwriter type. His debut album Revolving World is molded upon his strongest elements of showmanship, production and songwriting, bridging the cap between singer/songwriter and rocker.

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Erasure’s Andy Bell Reveals HIV Positive

Erasure singer Andy Bell has revealed he is HIV positive. The star told a Finnish newspaper he was diagnosed six years ago after falling ill on a trip to Majorca.

“I found out I was HIV positive in June 1998 when I had a bout of pneumonia in Majorca,” the 40-year-old singer said in a statement on the Erasure website.

“Being HIV does not mean that you have Aids. My life expectancy should be the same as anyone else’s so there is no need to panic.”

Since his diagnosis in 1998, the Erasure star has been taking combination therapy.

“I am feeling fine – in fact I have never felt better,” he told fans, thanking them for their concern.
Erasure have been on the music scene for 20 years. Chart hits include A Little Respect, Sometimes and Ship of Fools.

Source: bbc

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Three Maine Ski Areas Undergo Expansion

For many, skiing in Maine conjures up images of the state’s two largest ski resorts, Sugarloaf USA and Sunday River. Those mountains, each with more than 120 trails and a dozen lifts, attract skiers from the world over.

But the state has 19 other ski areas that are often overlooked. With expansions at three of those areas — Black Mountain in Rumford, Big Rock in Mars Hill and Saddleback in western Maine — the lesser-known mountains are drawing notice of their own. Skiers who hit the slopes at those three mountains this season will have new trails, new lifts and new base lodges, thanks to major expansions during the offseason.

Black Mountain and Big Rock are owned by the Maine Winter Sports Center, which is funded through The Libra Foundation, a Portland-based philanthropic organization.

Andy Shepard, president and CEO of the center, said the projects are part of the center’s effort to create healthy communities. While the larger ski areas have grown over the years, the smaller mountains have lost skiers because they weren’t upgrading their equipment and trails, he said.

Skier visits to Maine ski areas have hovered around 1.3 million in recent years, with Sunday River and Sugarloaf accounting for about two-thirds of those visits. Shepard said it’s important to get more people on the community ski areas’ slopes for the future of the entire Maine ski industry.

“Our commitment is to get as many people on skis as possible, to re-establish skiing as a lifestyle in Maine,” Shepard said.

Black Mountain in Rumford and Big Rock in Mars Hill are community ski areas that cater mostly to local residents. Saddleback in western Maine is primarily a destination resort.

“To have three individual ski areas putting in new lifts is a substantial statement that a lot is going on in Maine skiing,” said Greg Sweetser, executive director of Ski Maine Association. “And for two community areas to do it in the same year is of note.”

‘We’re a reborn giant’
Saddleback, located in Sandy River Plantation next to Rangeley, underwent a $12 million dollar construction project during the summer.

The resort built a new four-person chair lift, expanded its lodge from 16,000 to 39,000 square feet, cut seven new trails and expanded two others. Snowmaking now covers 80 percent of the mountain.

The expansion is part of Archie “Bill” Berry Jr.’s plans to bring the ski area back to prominence and profitability after having skier visits fall by more than half. Berry’s family bought ski area 14 months ago for $8 million.

“We’re a reborn giant,” said Peter Fox, Saddleback Inc.’s marketing director. “We are the up-and-coming family destination resort.”

In Rumford, Black Mountain has installed a new triple chairlift, snowmaking equipment and lights, and built a 13,000-square-foot lodge. Its new trails more than double the skiable acreage and vertical drop, from 470 feet to 1,150 feet.

In Mars Hill in Aroostook County, Big Rock ski area has installed a triple chairlift and blazed three new intermediate tails. It has also upgraded and expanded its snowmaking capabilities.

Skier visits at Big Rock doubled to 22,000 in 2002-2003, the first year the center owned the mountain. Skier visits fell to 16,000 last winter, largely due to the brutal cold.

Black Mountain last year had 8,000 skier visits, which Shepard says could grow to 30,000 in the years ahead.

Sweetser said the projects at Black Mountain and Big Rock show that community ski areas are gaining strength.

“They have clarified their identity, their brand,” he said. “Their brand is that they’re convenient, they’re close, they’re less expensive. They’re a community asset.”

As for Saddleback, Sweetser said the resort becomes only the third Maine ski area with a 2,000-foot vertical drop. The Maine ski industry can now claim that it has two large mountains, Saddleback and Sugarloaf, close together.

“To have two big mountains within 40 minutes of each other, over time this will be an attractive feature for national and international business,” he said.

Source CNN.com.

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Arcade Fire Start Up U.S. Tour

On the mounting success of their full-length debut, Funeral, eccentric Montreal pop sextet the Arcade Fire are readying for a second, more extensive tour of the States, kicking off January 13th in San Francisco and wrapping up on February 3rd in Boston.
But the band members are hoping that their newfound popularity won’t force them to behave like rock stars. “If it’s going to be, like, us wanking our little guitars in the spotlight, not seeing anyone — no, that’s not the point,” says multi-instrumentalist and vocalist Regine Chassagne. “It’s a human thing. I like to meet people after a show, and sometimes I recognize them from another show.”

The Arcade Fire (named for the fire department where a family member worked) include frontman Win Butler and wife Chassagne, Win’s younger brother Will, guitarist Richard Parry, bassist Tim Kingsbury and touring violinist Sarah Neufeld. And their eclectic sound stems from the wide-ranging tastes of their members. “I was listening to classical music and Mary Poppins and weird voodoo Haitian records,” explains Chassagne, who plays piano, accordion, drums and xylophone. “I sang in choirs, and played for a long time in a medieval band — I wore a costume, sang in old languages, played the recorder and mandolin and tambourine. I was singing jazz when I met Win.”

“There’s a bunch of Eastern European bands that my brother turned me on to,” adds Butler. “He was just in the Czech Republic doing a big thing on Czech rock & roll in the Eighties.” Butler, however, is convinced that the sum of all these parts is pretty simple: “For all its eccentricities, the band is a pop band.”

For new fans, the Arcade Fire’s self-titled debut EP is only available at their shows. But one track from that record, “No Cars Go,” can now be downloaded at the iTunes music store. And for those across the pond, the group has signed a deal to distribute Funeral in the U.K. through Rough Trade Records, set to hit stores there on February 28th.

Meanwhile, the Arcade Fire have begun work on new songs at their studio in Butler’s family barn in Maine, and they’ve recently completed their first video, for the track “Rebellion (Lies).” “It’s a real video,” says Butler. “We got a grant from the Canadian government to make it!”

The Arcade Fire tour dates:

1/13-14: San Francisco, Great American Music Hall
1/15-16: Los Angeles, Troubadour
1/17: San Diego, Casbah
1/18: Tucson, AZ, Solar Culture
1/21: Austin, Emo’s
1/23: Houston, Fat Cat’s
1/24: New Orleans, House of Blues
1/26: Atlanta, Variety Playhouse
1/27: Asheville, NC, The Orange Peel
1/30: Washington, DC, 9:30 Club
1/31: Philadelphia, Theatre of Living Arts
2/1: New York, Bowery Ballroom
2/2: Brooklyn, NY, Warsaw
2/3: Boston, Roxy

Source rollingstone.com.

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Widespread Panic Returns – 2005 Tour Dates Announced

Widespread Panic is back. In a bold and shocking move by one of the most successful touring rock bands, Widespread Panic left the road at the close of 2003. This was the first hiatus for the band in 19 years of non-stop touring and record-breaking sold out dates throughout the country. Today, after 15 months, they announced their long-awaited return to the stage by posting their first round of tour dates on their website at www.widespreadpanic.com. Fans who have been anxiously waiting for this announcement are expected to quickly snatch up tickets for these concerts, prompting most shows to sell out almost immediately. The tour, kicking off in late March, will coincide with the release of their new live album recorded at the House of Blues in Myrtle Beach, SC in 2003. Widespread Panic Live At Myrtle Beach will arrive in stores February 22, 2005 on Sanctuary Records/Widespread Records.

The anticipated homecoming will kick off with three dates at the historic Fox Theatre in Atlanta. Widespread Panic first headlined the Fox in 1993 and has since sold-out every one of their 13 shows at the venue, more than any other band in the history of the theatre. Tour dates will also include three dates at New York’s famed Radio City Music Hall (their first appearance at the venue), three dates at the majestic Chicago Theater, two nights at Altel Pavilion in Raleigh, NC and back to Jazzfest in New Orleans (where they previously set an attendance record in 1999).

As an additional bonus, the spring tour will include performances at smaller, theater-sized venues to give the fans a more intimate performance experience. Widespread Panic is forgoing their usual shed-sized venues in direct response to overwhelming requests from their longtime supporters. Concertgoers will not only have the chance to see the band more up-close and personal than usual, they will also be surprised with a revamped stage show using top of the line technology.

Tour Dates:

March 24, 25 & 26 Atlanta, GA
Fox Theater

March 29 Chattanooga, TN
Civic Coliseum

March 30 Cincinnati, OH
Taft Theater

April 1 Detroit, MI
State Theater

April 2 Cleveland, OH
Cleveland Music Hall

April 3 Bloomington, IN
Indiana Univ. Auditorium

April 5 Milwaukee, WI
Eagles Ballroom

April 7, 8 & 9 Chicago, IL
Chicago Theater

April 12 Boston, MA
Agganis Arena

April 14, 15 & 16 New York, NY
Radio City Music Hall

April 17 Philadelphia, PA
Tower Theater

April 19 Washington, DC Constitution Hall

April 20 Salem, VA
Salem Civic Center

April 22 & 23 Raleigh, NC
Altel Pavilion

April 24 Columbia, SC
Three Rivers Festival

April 26 Columbus, GA
Columbus Civic Center

April 27 Tallahassee, FL
Leon County Civic Center

April 29 New Orleans, LA
Jazzfest

April 30 Dallas, TX Brady Theater

May 3 Kansas City, MO
Starlight Theater

May 5 St. Louis, MO Fox Theater

May 6 Louisville, KY Louisville Gardens

May 7 Asheville, NC Asheville Civic Center

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Killers Keep Touring, Ready New Tunes

Like many bands flush with the success of a debut album, the Killers have spent the better part of the year in the road in support of “Hot Fuss” (Island). And while the group has several new songs percolating for its second set, touring will dominate the landscape for at least the next few months.

The Killers are in the midst of a short Australian trek that wraps Monday (Dec. 20) in Brisbane. A rare show in the quartet’s Las Vegas hometown is on tap for Dec. 30, to be followed by a New Year’s Eve show in Los Angeles and a three-week U.K. tour in January. A four-show swing through Japan is also booked for early March.

As for the new songs, guitarist Dave Keuning tells Billboard.com the band is “painfully close” to unveiling them at upcoming shows. “Almost,” he says. “Maybe by the end of the year we’ll play them.” According to vocalist Brandon Flowers, the crop includes “I Won’t Let You Down,” “Daddy’s Eyes” and “It’s Only Natural.”

“We’re trying to strip it down a little bit,” Flowers says of the material. “Not have it be so busy. Just let it breathe and let it be a great song. We wrote some great songs on the first one, but these have more of a classic feel.”

After the Japan dates, the band will begin demoing new material with several producers, including Flood (U2, Smashing Pumpkins) and Alan Moulder (My Bloody Valentine, Swervedriver). “We actually worked with Alan on our record, so we’re familiar with him,” says Flowers. Adds drummer Ronnie Vannucci, “That time will be used to get some ideas on tape and tie up the loose ends of the songs that have been written on the road.”

Capping the Killers’ breakthrough year was last week’s announcement that the band had been nominated for three Grammys: best rock album for “Hot Fuss” plus best rock song and best rock performance by a duo or group with vocal for “Somebody Told Me.”

“Three of them! One would have been nice but three is just… we’re excited,” Flowers says.

Here are the Killers’ tour dates:

Dec. 16: Adelaide, Australia (Thebarton Theatre)
Dec. 17: Melbourne (the Palace)
Dec. 18: Sydney (Enmore Theatre)
Dec. 20: Brisbane, Australia (Arena)
Dec. 30: Las Vegas (House of Blues)
Dec. 31: Los Angeles (Giant Village)
Jan. 19: Northumbria, England (University)
Jan. 20-21: Glasgow (Academy)
Jan. 23: Nottingham, England (Rock City)
Jan. 24: Birmingham, England (Academy)
Jan. 25: Liverpool, England (University)
Jan. 27: Leeds, England (University)
Jan. 28-29: Manchester, England (Academy)
Jan. 31: Norwich, England (UEA)
Feb. 1: Bristol, England (Academy)
Feb. 2: Brighton, England (Dome)
Feb. 4: Cambridge, England (Corn Exchange)
Feb. 5: Southampton, England (Guildhall)
Feb. 6: Cardiff, England (University)
Feb. 7, 9: London (Brixton Academy)
March 6: Nagoya, Japan (Club Quattro)
March 8: Hiroshima, Japan (Club Quattro)
March 9: Osaka, Japan (Club Quattro)
March 10: Tokyo (Liquid Room)

Source billboard.com.

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